<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-A64SUH17</identifier><date>1995</date><creator>Féral, Josette</creator><relation>documents/doc/A/URN_NBN_SI_doc-A64SUH17_001.pdf</relation><relation>documents/doc/A/URN_NBN_SI_doc-A64SUH17_001.txt</relation><relation>documents/doc/A/URN_NBN_SI_DOC-A64SUH17_002.pdf</relation><relation>documents/doc/A/URN_NBN_SI_DOC-A64SUH17_002.txt</relation><format format_type="issue">175</format><format format_type="volume">23</format><format format_type="type">article</format><format format_type="extent">str. 132-141</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">16579677</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-A64SUH17</identifier><language>eng</language><language>slv</language><publisher>Študentska založba</publisher><source>Časopis za kritiko znanosti</source><rights>InC</rights><subject language_type_id="slv">gledališče</subject><subject language_type_id="slv">igralci</subject><subject language_type_id="slv">teorija iger</subject><subject language_type_id="eng">theater</subject><subject language_type_id="eng">woman</subject><subject language_type_id="slv">ženske</subject><title>Katero mesto v sodobni teoriji igre pripada ženski? Zadeva Pol Pelletier</title><title>What is Woman's Place in Contemporary Acting Theory? The Case of Pol Pelletier</title></Record>