{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-A4H53FBJ/6c59e729-f17c-461c-90a9-5c5d96ee3d5e/PDF","dcterms:extent":"528 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-A4H53FBJ/c93156c7-0aa7-458e-81e9-de486ea0d255/TEXT","dcterms:extent":"30 KB"}],"edm:TimeSpan":{"@rdf:about":"2007-2025","edm:begin":{"@xml:lang":"en","#text":"2007"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-A4H53FBJ","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-REUWXDY1"},{"@xml:lang":"sl","#text":"Ars et humanitas"}],"dcterms:issued":"2017","dc:creator":"Širca, Alen Albin","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:11"},{"@xml:lang":"sl","#text":"str. 63-74"}],"dc:identifier":["ISSN:1854-9632","COBISSID:64834146","URN:URN:NBN:SI:doc-A4H53FBJ"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"dc:subject":[{"@xml:lang":"sl","#text":"bizantinska književnost"},{"@xml:lang":"sl","#text":"ekfraza"},{"@xml:lang":"sl","#text":"Hagia Sofia"},{"@xml:lang":"sl","#text":"literarne študije"},{"@xml:lang":"sl","#text":"Pavel Silentiarij"},{"@xml:lang":"sl","#text":"Roman Melod"}],"dcterms:temporal":{"@rdf:resource":"2007-2025"},"dc:title":{"@xml:lang":"sl","#text":"Ekfrazno pesništvo pri Romanu Melodu in Pavlu Silentiariju|"},"dc:description":[{"@xml:lang":"sl","#text":"The article about ekphrasis in Romanos the Melodist is based on the concept of ekphrasis in the context of Byzantine rhetoric and literature. In accordance with such a conception, which is basically the same as in ancient Greek rhetorical theory and practice, as explained in rhetorical textbooks, called progymnasmata, the simplest definition of ekphrasis is a speech that makes the subject matter vivid to the audience. As such, the current definition of ekphrasis, as the poetic description of a pictorial, sculptural or architectural work of art, is decidedly modern. After the introductory clarifications of the terminology, this article addresses the ekphrasis of Romanos the Melodist, the famous sixth-century Byzantine hymnographer who is the author of numerous kontakion. These can be considered as a kind of liturgical hymn, known for a number of poetic strategies, and are recognised as the pinnacle of Byzantine poetry. Romanos% use of ekphrasis in a biblical context is somewhat restrained. However, with the example of the naturalistic description of the Massacre of the Innocents, one that goes beyond the account in the Gospel of Matthew, and especially the thematization of rebuilding the Hagia Sophia, which is termed the Throne of God, Romanos sets the tone for Byzantine ekphrasis. A further architectural ekphrasis comes from another sixth century Byzantine poet, Paul the Silentiary. His most well-known work is the Descriptio ecclesiae Sanctae Sophiae. In particular in his description of the cupola of what was once the biggest church in Christendom, the Hagia Sophia, which is based on the interplay between light and darkness, we recognize that the phenomenon of light serves as an epiphanic experience: the Hagia Sophia thus becomes the material manifestation of divine revelation. Therefore, in Romanos, as in Paul, ekphrasis becomes a rhetorical device for expressing the unspeakable"},{"@xml:lang":"sl","#text":"Članek o ekfrazi pri Romanu Melodu se opira na pojmovanje ekfraze v kontekstu bizantinske retorike in literature. V skladu s takšnim pojmovanjem, ki je v temelju enako starogrški retoriški teoriji in praksi, kakor jo najdemo v retoriških učbenikih, imenovanih Progymnasmata, je najpreprostejša opredelitev ekfraze takšna, da gre za govor, ki prinaša svoj predmet živo pred oči. Tako je jasno, da je sedanja opredelitev ekfraze kot pesniškega opisa slikovne, kiparske ali arhitekturne umetnine izrazito moderna. Po uvodnem razčiščenju glede terminologije članek obravnava ekfrazo pri Romanu Melodu, slavnem bizantinskem himnografu iz 6. stoletja, ki je avtor številnih kondakijev. Tu gre za nekakšno liturgično himno, ki je znana po številnih pesniških strategijah in velja za vrhunec bizantinske poezije. Romanova raba ekfraze v bibličnem kontekstu je vendarle na neki način zadržana. Toda z naturalističnim opisom pokola nedolžnih otrok, ki presega poročilo iz Matejevega evangelija, in zlasti s tematizacijo na novo zgrajene Hagie Sofie, ki jo plastično imenuje tudi Božji prestol, Roman vendarle postavi vodilni ton bizantinski ekfrazi. Druga arhitekturna ekfraza prihaja od nekega drugega bizantinskega pesnika iz 6. stoletja, Pavla Silentiarija. Njegovo najslovitejše delo je Descriptio ecclesiae Sanctae Sophiae. Še posebno ob opisu kupole Hagie Sofie, nekdaj največje cerkve krščanstva, ki se opira na antitetiko svetlobe in teme, spoznamo, da svetloba rabi za epifanično izkušnjo: Hagia Sofia postane snovno izkazovanje Božjega razodetja. Ekfraza tako pri Romanu kot pri Pavlu Silentiariju postane retoriško sredstvo za izrekanje neizrekljivega"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-A4H53FBJ","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-A4H53FBJ"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-A4H53FBJ/6c59e729-f17c-461c-90a9-5c5d96ee3d5e/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-A4H53FBJ/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-A4H53FBJ"}}}}