<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-9TLSNNMB</identifier><date>2023</date><creator>Pompe, Gregor</creator><relation>documents/doc/9/URN_NBN_SI_doc-9TLSNNMB_001.pdf</relation><relation>documents/doc/9/URN_NBN_SI_doc-9TLSNNMB_001.txt</relation><format format_type="issue">1</format><format format_type="volume">19</format><format format_type="type">article</format><format format_type="extent">str. 157-181</format><identifier identifier_type="DOI">10.3986/dmd19.1.06</identifier><identifier identifier_type="COBISSID">173374979</identifier><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-9TLSNNMB</identifier><language>slv</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-NC-ND</rights><subject language_type_id="slv">analize</subject><subject language_type_id="slv">digitalizacija</subject><subject language_type_id="slv">Forum nove glasbe</subject><subject language_type_id="slv">glasbeni festivali</subject><subject language_type_id="slv">sodobna glasba</subject><title>Digitalno-konceptualistični premiki</title><title>analiza festivalov Forum nove glasbe</title></Record>