<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-9LDTLTHJ</identifier><date>1996</date><creator>Segovia Martín, Raquel</creator><relation>documents/doc/9/URN_NBN_SI_doc-9LDTLTHJ_001.pdf</relation><relation>documents/doc/9/URN_NBN_SI_doc-9LDTLTHJ_001.txt</relation><format format_type="issue">6</format><format format_type="type">article</format><format format_type="extent">str. 129-144</format><identifier identifier_type="ISSN">0353-9660</identifier><identifier identifier_type="COBISSID">117739008</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-9LDTLTHJ</identifier><language>spa</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Verba hispanica</source><rights>InC</rights><subject language_type_id="slv">Bosch, Hieronymus, 1450-1516</subject><subject language_type_id="eng">film</subject><subject language_type_id="slv">nizozemsko slikarstvo</subject><subject language_type_id="slv">Saura, Carlos</subject><subject language_type_id="slv">študije</subject><subject language_type_id="slv">Vrt užitkov</subject><title>El cuerpo humano como símbolo en El jardín de las delicias</title><title>el tríptico de El Bosco y la película de Carlos Saura</title></Record>