<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-9HOL7HQ0</identifier><date>2020</date><creator>Udovič, Boštjan</creator><relation>documents/doc/9/URN_NBN_SI_doc-9HOL7HQ0_001.pdf</relation><relation>documents/doc/9/URN_NBN_SI_doc-9HOL7HQ0_001.txt</relation><format format_type="volume">13</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 67-90</format><identifier identifier_type="ISSN">1855-3362</identifier><identifier identifier_type="COBISSID_HOST">53146627</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-9HOL7HQ0</identifier><language>eng</language><publisher>Center EMUNI, University Centre for Euro-Mediterranean Studies</publisher><source>International journal of Euro-Mediterranean studies</source><rights>BY-NC-ND</rights><subject language_type_id="slv">Državne himne</subject><subject language_type_id="slv">Državni simboli</subject><subject language_type_id="slv">Himne</subject><subject language_type_id="slv">Hymns</subject><subject language_type_id="slv">National emblems</subject><subject language_type_id="slv">National songs</subject><title>(Un)official anthems as a means of the national diplomatic/statecraft momentum</title><title>the cases of Zdravljica, Hej, brigade and Vstajenje primorske</title></Record>