<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-9GC2H2T9</identifier><date>2022</date><creator>Mežan, Danijel</creator><relation>documents/doc/9/URN_NBN_SI_doc-9GC2H2T9_001.pdf</relation><relation>documents/doc/9/URN_NBN_SI_doc-9GC2H2T9_001.txt</relation><format format_type="type">article</format><format format_type="issue">letn. 32 = 83</format><format format_type="extent">str. 254-255</format><identifier identifier_type="ISSN">0354-0316</identifier><identifier identifier_type="COBISSID_HOST">140862723</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-9GC2H2T9</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenski etnografski muzej</publisher><source>Etnolog. Nova vrsta (Ljubljana)</source><rights>BY-NC-ND</rights><subject language_type_id="slv">muzeji</subject><subject language_type_id="slv">muzeologija</subject><subject language_type_id="slv">zgodovinski pregledi</subject><title>Charles Saumarez Smith: The Art Museum in Modern Times: London, Thames &amp; Hudson, 2021, 271 str.</title></Record>