<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-9FYG99WZ/7fbb2916-6bc6-4178-97b7-fbdcd59065f3/PDF"><dcterms:extent>1125 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-9FYG99WZ/6f82f6a3-8028-4add-a79f-944b77d617ec/TEXT"><dcterms:extent>0 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="2015-2026"><edm:begin xml:lang="en">2015</edm:begin><edm:end xml:lang="en">2026</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-9FYG99WZ"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE" /><dcterms:issued>2026</dcterms:issued><dc:contributor>Moe, Christian</dc:contributor><dc:creator>Pezdirc Bartol, Mateja</dc:creator><dc:format xml:lang="sl">številka:1</dc:format><dc:format xml:lang="sl">letnik:14</dc:format><dc:format xml:lang="sl">str. 52-67</dc:format><dc:identifier>DOI:10.51937/Amfiteater-2026-1/32-50</dc:identifier><dc:identifier>ISSN:1855-4539</dc:identifier><dc:identifier>COBISSID_HOST:288366595</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-9FYG99WZ</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">= University of Ljubljana Press</dc:publisher><dcterms:isPartOf xml:lang="sl">Amfiteater (Ljubljana)</dcterms:isPartOf><dc:subject xml:lang="en">contemporary Slovenian drama</dc:subject><dc:subject xml:lang="en">devised theatre</dc:subject><dc:subject xml:lang="en">documentary theatre</dc:subject><dc:subject xml:lang="sl">dokumentarnost</dc:subject><dc:subject xml:lang="sl">ekologija</dc:subject><dc:subject xml:lang="en">environmental themes</dc:subject><dc:subject xml:lang="sl">motiv drevesa</dc:subject><dc:subject xml:lang="sl">snovalno gledališče</dc:subject><dc:subject xml:lang="sl">sodobna slovenska dramatika</dc:subject><dc:subject xml:lang="en">tree theme</dc:subject><dc:subject xml:lang="sl">Žiga Divjak</dc:subject><dcterms:temporal rdf:resource="2015-2026" /><dc:title xml:lang="sl">Skrivno življenje dreves v uprizoritvah Žige Divjaka|</dc:title><dc:description xml:lang="sl">Žiga Divjak is a director who has, in recent years, been intensively engaged in productions that put environmental themes front and centre. His productions are examples of socially engaged documentary theatre that portray various aspects of climate change through the simultaneity of theatrical strategies. The productions do not offer solutions but rather inform the spectator about and raise awareness of environmental and humanitarian crises and open the theatre as a space of public reflection in which audiences are faced with the contradictions of the modern world. This paper closely analyses three works, namely, Vročina ( Fever, Mladinsko Theatre, 2021), Krize ( Crises, Mladinsko Theatre, 2022) and Kako je padlo drevo ( How a Tree Fell, SNT Drama Ljubljana, 2022), connected by the shared theme of the tree and the latest scientific findings about the secret life of trees and the cooperation among beings that form part of every ecosystem</dc:description><dc:description xml:lang="sl">Žiga Divjak je režiser, ki se v zadnjih letih intenzivno ukvarja z uprizoritvami, kjer je v ospredju ekološka tematika. Njegove uprizoritve so primer angažiranega dokumentarnega gledališča, ki prikazuje različne vidike podnebnih sprememb skozi simultanost različnih gledaliških strategij. Uprizoritve ne govorijo o rešitvah, temveč v večji meri seznanjajo in ozaveščajo gledalca o ekološki in humanitarni krizi ter razpirajo gledališče kot prostor javnega razmisleka, kjer smo soočeni s kontradiktornostmi sodobnega sveta. V prispevku bomo natančneje analizirali tri dela, to so Vročina (SMG, 2021), Krize (SMG, 2022) in Kako je padlo drevo (SNG Drama Ljubljana, 2022), ki jih povezujejo skupen motiv drevesa in najnovejša znanstvena spoznanja o skrivnem življenju dreves ter sodelovanju med bitji, ki so sestavni del vsakega ekosistema</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-9FYG99WZ"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-9FYG99WZ" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-9FYG99WZ/7fbb2916-6bc6-4178-97b7-fbdcd59065f3/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovenski gledališki inštitut (SLOGI)</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-9FYG99WZ/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-9FYG99WZ" /></ore:Aggregation></rdf:RDF>