592 KB27 KB197820252017Troha, Gašperštevilka:2letnik:40str. 181-191ISSN:0351-1189COBISSID_HOST:64630882URN:URN:NBN:SI:doc-9ADN7B8DslSlovensko društvo za primerjalno književnostPrimerjalna književnost"in yer face" theatreangleška dramatikaCrimp, Martin, 1956-English dramagledališče "u fris"Kane, Sarah, 1971-1999literatura in etikaliterature and ethicsEtika v sodobni britanski dramatiki|In the 1990s, Great Britain has produced a new form of dramatic literature and theatre that was subsequently described and defined by Aleks Sierz as "in yer face" theatre. The main features of this writing are shock and presenting things like rape, slaughter, masturbation, drug abuse etc. on stage. These are used in order to stir viewer's emotions of fear and revolt. However, Sarah Kane, one of the most famous writers of the genre, said she was trying to search for the remnants of humanity in the modern world. The paper focuses on the question, how this ethical dimension is written in texts that show us the radical dystopia of our world. Firstly, it analyses Sarah Kane's Blasted, which was one of the most controversial dramatic texts of the 1990s. Later on it looks into the further development of the British drama by taking into consideration In the Republic of Happiness (2012) by Martin Crimp, which also deals with a possibility of ethics in the present. Through the analysis and comparison of both texts it shows how ethics is inscribed in modern British drama and comes to a conclusion that ethics is possible in modern literatureV devetdesetih letih je v Veliki Britaniji nastajala dramatika, ki jo je kasneje Aleks Sierz poimenoval gledališče "u fris". Njena glavna značilnost je bil šok, ki so ga dosegali s prikazovanjem skrajnih tem na odru (posilstva, umori, zloraba drog, psihično mučenje ...). Je ob takšnih tekstih sploh mogoče razpravljati o etiki? Gledališče "u fris" je zaznamovalo tudi kasnejšo britansko in evropsko dramatiko, ki pa ni več tako radikalna v prikazovanju mučenja na odru. Kakšne so možnosti etične razsežnosti teh besedil, ki pa nastajajo v skrajno deziluzioniranem svetu? Razprava analizira Razdejane Sarah Kane in V Republiki sreče Martina Crimpa, da bi prišla do odgovora na vprašanje, kako je etična dimenzija vpisana v te drame in koliko je ta možnost etike prepričljiva za sodobnega bralca/gledalcaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost