<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-91GGE8YT</identifier><date>2015</date><creator>Brazhnikova Tsybizova, Violetta</creator><relation>documents/doc/9/URN_NBN_SI_doc-91GGE8YT_001.pdf</relation><relation>documents/doc/9/URN_NBN_SI_doc-91GGE8YT_001.txt</relation><format format_type="issue">1</format><format format_type="volume">3</format><format format_type="type">article</format><identifier identifier_type="ISSN">2232-5131</identifier><identifier identifier_type="COBISSID">59602530</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-91GGE8YT</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Asian studies</source><rights>BY-SA</rights><subject language_type_id="eng">feminine figure</subject><subject language_type_id="slv">gledališče Nô</subject><subject language_type_id="eng">impersonating</subject><subject language_type_id="eng">Japan</subject><subject language_type_id="slv">Japonska</subject><subject language_type_id="eng">masculine femininity</subject><subject language_type_id="eng">Noh stage</subject><subject language_type_id="slv">Zeami</subject><subject language_type_id="slv">ženske figure</subject><subject language_type_id="slv">ženskost</subject><title>A Male transformation into a female character on the Noh stage</title></Record>