<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-8Z5MJGRI</identifier><date>2015</date><relation>documents/doc/8/URN_NBN_SI_doc-8Z5MJGRI_001.pdf</relation><relation>documents/doc/8/URN_NBN_SI_doc-8Z5MJGRI_001.txt</relation><format format_type="issue">6</format><format format_type="volume">79</format><format format_type="type">article</format><format format_type="extent">str. 657-669</format><identifier identifier_type="ISSN">0038-0482</identifier><identifier identifier_type="COBISSID">286854144</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-8Z5MJGRI</identifier><language>slv</language><publisher>KUD Sodobnost International</publisher><source>Sodobnost (1963)</source><rights>InC</rights><subject language_type_id="slv">alternativno gledališče</subject><subject language_type_id="slv">Ana Desetnica</subject><subject language_type_id="slv">Osojnik, Goro</subject><subject language_type_id="slv">slovensko gledališče</subject><subject language_type_id="slv">ulično gledališče</subject><title>Leja Forštner z Gorom Osojnikom</title></Record>