<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-8YMTRCG1</identifier><date>2000</date><creator>Benjak, Mirjana</creator><relation>documents/doc/8/URN_NBN_SI_doc-8YMTRCG1_001.pdf</relation><relation>documents/doc/8/URN_NBN_SI_doc-8YMTRCG1_001.txt</relation><format format_type="issue">4</format><format format_type="volume">48</format><format format_type="type">article</format><format format_type="extent">str. 431-454</format><identifier identifier_type="ISSN">0350-6894</identifier><identifier identifier_type="COBISSID">15717986</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-8YMTRCG1</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slavistično društvo Slovenije</publisher><source>Slavistična revija</source><rights>BY</rights><subject language_type_id="slv">film</subject><subject language_type_id="slv">hrvaška književnost</subject><subject language_type_id="slv">Jergovič, Miljenko: Mama Leone</subject><title>"Filmičnost" literarnega diskurza Miljenka Jergovića</title><title>(kadri, položaji kamere in montaža v zbirki kratkih zgodb Mama Leone)</title></Record>