<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-8V2K5MY0/3cda5882-c6dc-4a52-b5be-723f89984281/PDF"><dcterms:extent>303 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-8V2K5MY0/3da928c1-14f9-450a-bc08-cabc6db1fe55/TEXT"><dcterms:extent>0 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="2015-2025"><edm:begin xml:lang="en">2015</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-8V2K5MY0"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE" /><dcterms:issued>2025</dcterms:issued><dc:creator>Lipoglavšek, Manca</dc:creator><dc:format xml:lang="sl">številka:1</dc:format><dc:format xml:lang="sl">letnik:13</dc:format><dc:format xml:lang="sl">str. 222-238</dc:format><dc:identifier>DOI:10.51937/Amfiteater-2025-1/222-238</dc:identifier><dc:identifier>ISSN:1855-4539</dc:identifier><dc:identifier>COBISSID_HOST:240477699</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-8V2K5MY0</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">= University of Ljubljana Press</dc:publisher><dcterms:isPartOf xml:lang="sl">Amfiteater (Ljubljana)</dcterms:isPartOf><dc:subject xml:lang="en">avant-garde movements</dc:subject><dc:subject xml:lang="sl">avantgardna gibanja</dc:subject><dc:subject xml:lang="en">feminism</dc:subject><dc:subject xml:lang="sl">feminizem</dc:subject><dc:subject xml:lang="en">Futurism</dc:subject><dc:subject xml:lang="sl">futurizem</dc:subject><dc:subject xml:lang="en">gender</dc:subject><dc:subject xml:lang="sl">spol</dc:subject><dc:subject xml:lang="en">women of Futurism</dc:subject><dc:subject xml:lang="sl">ženske v futurizmu</dc:subject><dcterms:temporal rdf:resource="2015-2025" /><dc:title xml:lang="sl">Poželenje in prezir| ženske v italijanskem futurizmu|</dc:title><dc:description xml:lang="sl">The discourse on gender in the historical avant-garde movements, especially in Italian Futurism, is complex and internally contradictory. However, many female artists found an avenue for artistic engagement in the Futurist rebellion against traditional conservative values and sentimentalism. Female Futurists or female artists associated with the Futurist movement – such as Sibilla Aleramo, Mina Loy, Valentine de Saint-Point, Enif Robert, Rosa Rosa, Benedetta Cappa Mainetti, Magamal, Maria Ginanni, Maria Goretti, Gianinna Censi, Barbara, Regina, Marisa Mori, Rosetta Amadori Depero, and Luce and Elica Balla – created in their art a radically new conception of gender that explicitly challenged the prevailing standards of femininity. This article explores how the female Futurists addressed gender in their art, their role within the Futurist movement, and how female artists sought (or found) a path to emancipation through Futurist aesthetics and strategies</dc:description><dc:description xml:lang="sl">Diskurz o spolu v zgodovinskih avantgardnih gibanjih, še posebej pa v italijanskem futurizmu, je kompleksen in interno kontradiktoren. A številne umetnice, ki so delovale znotraj italijanskega futurističnega gibanja, so v futurističnem uporu proti tradicionalnim konservativnim vrednotam in sentimentalizmu našle mesto za umetniško udejstvovanje. Futuristke in sopotnice futurizma, kot so Sibilla Aleramo, Mina Loy, Valentine de Saint-Point, Enif Robert, Rosa Rosa, Benedetta Cappa Marinetti, Magamal, Maria Ginanni, Maria Goretti, Gianinna Censi, Barbara, Regina, Marisa Mori, Rosetta Amadori Depero ter Luce in Elica Balla, so s svojimi umetniškimi deli ustvarjale radikalno novo pojmovanje spola v eksplicitnem nasprotju s tedaj uveljavljenimi standardi ženskosti. Članek raziskuje, kako so te futuristične in avantgardne umetnice v svojem delu obravnavale spol, kakšno je bilo njihovo mesto v futurizmu in kako so umetnice skozi futuristično estetiko in strategije iskale (ali našle) pot do emancipacije</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-8V2K5MY0"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-8V2K5MY0" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-8V2K5MY0/3cda5882-c6dc-4a52-b5be-723f89984281/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovenski gledališki inštitut (SLOGI)</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-8V2K5MY0/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-8V2K5MY0" /></ore:Aggregation></rdf:RDF>