<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-8SKLKQQB</identifier><date>2011</date><creator>Bezlaj, Jiři</creator><relation>documents/doc/8/URN_NBN_SI_doc-8SKLKQQB_001.pdf</relation><relation>documents/doc/8/URN_NBN_SI_doc-8SKLKQQB_001.txt</relation><format format_type="issue">4</format><format format_type="volume">75</format><format format_type="type">article</format><format format_type="extent">str. 339-347</format><identifier identifier_type="ISSN">0038-0482</identifier><identifier identifier_type="COBISSID">273677824</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-8SKLKQQB</identifier><language>slv</language><publisher>KUD Sodobnost International</publisher><source>Sodobnost (1963)</source><rights>InC</rights><subject language_type_id="eng">art history</subject><subject language_type_id="slv">likovna kritika</subject><subject language_type_id="slv">umetnostna zgodovina</subject><title>"Michelangelo je vendar pomembnejši umetnik nego črni zamorec."</title></Record>