<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-8EPGNU47</identifier><date>2012</date><creator>Peghinelli, Andrea</creator><relation>documents/doc/8/URN_NBN_SI_doc-8EPGNU47_001.pdf</relation><relation>documents/doc/8/URN_NBN_SI_doc-8EPGNU47_001.txt</relation><format format_type="type">article</format><format format_type="extent">str. 87-96</format><format format_type="issue">vol. 9</format><identifier identifier_type="ISSN">1581-8918</identifier><identifier identifier_type="COBISSID">265588480</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-8EPGNU47</identifier><language>eng</language><publisher>Oddelek za anglistiko in amerikanistiko, Filozofska fakulteta, Univerza v Ljubljani</publisher><publisher>Slovensko društvo za angleške študije</publisher><source>ELOPE (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="slv">angleška književnost</subject><subject language_type_id="slv">Belarus Free Theatre</subject><subject language_type_id="slv">Belorusija</subject><subject language_type_id="slv">dramatika</subject><subject language_type_id="slv">gledališče</subject><subject language_type_id="slv">Pinter, Harold</subject><title>"Bringing back the essential meaning of the theatre"</title><title>Harold Pinter and the Belarus Free Theatre</title></Record>