<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-865Y65DD</identifier><date>2015</date><creator>Bogataj, Matej</creator><relation>documents/doc/8/URN_NBN_SI_doc-865Y65DD_001.pdf</relation><relation>documents/doc/8/URN_NBN_SI_doc-865Y65DD_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">79</format><format format_type="type">article</format><format format_type="extent">str. 182-189</format><identifier identifier_type="ISSN">0038-0482</identifier><identifier identifier_type="COBISSID">286734080</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-865Y65DD</identifier><language>slv</language><publisher>KUD Sodobnost International</publisher><source>Sodobnost (1963)</source><rights>InC</rights><subject language_type_id="slv">Do zadnjega diha: Zdaj</subject><subject language_type_id="slv">gledališke kritike</subject><subject language_type_id="slv">ocene in poročila</subject><subject language_type_id="slv">Zupan, Vitomil: Zastave - Mož - Slepota</subject><title>Ko pištola naredi možaka</title></Record>