<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-81LYWY36</identifier><date>2021</date><creator>Stipčević, Ennio</creator><relation>documents/doc/8/URN_NBN_SI_doc-81LYWY36_001.pdf</relation><relation>documents/doc/8/URN_NBN_SI_doc-81LYWY36_001.txt</relation><format format_type="issue">1</format><format format_type="volume">17</format><format format_type="type">article</format><format format_type="extent">str. 53-75</format><identifier identifier_type="DOI">10.3986/dmd17.1.02</identifier><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID_HOST">61435907</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-81LYWY36</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-NC-ND</rights><subject language_type_id="slv">baročna glasba</subject><subject language_type_id="eng">baroque music</subject><subject language_type_id="eng">Croatia</subject><subject language_type_id="slv">Hrvaška</subject><subject language_type_id="slv">množična kultura</subject><subject language_type_id="slv">muzikalije</subject><subject language_type_id="eng">notation music</subject><subject language_type_id="eng">popular culture</subject><title>Baroque music and popular culture in the Croatian lands</title><title>some introductory remarks</title></Record>