<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-807PQAFH/34d01ce5-f4aa-42f8-85f9-449a89d43d28/PDF"><dcterms:extent>440 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-807PQAFH/047e4997-ea65-4f08-a056-9ffceb27e264/TEXT"><dcterms:extent>41 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1948-2025"><edm:begin xml:lang="en">1948</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-807PQAFH"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-QOIKGUTE" /><dcterms:issued>2015</dcterms:issued><dc:creator>Toporišič, Tomaž</dc:creator><dc:format xml:lang="sl">številka:1</dc:format><dc:format xml:lang="sl">letnik:63</dc:format><dc:format xml:lang="sl">str. 89-102</dc:format><dc:identifier>ISSN:0350-6894</dc:identifier><dc:identifier>COBISSID:57702242</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-807PQAFH</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Slavistično društvo Slovenije</dc:publisher><dcterms:isPartOf xml:lang="sl">Slavistična revija</dcterms:isPartOf><dc:subject xml:lang="en">inter-media</dc:subject><dc:subject xml:lang="sl">Jovanović, Dušan, 1939-</dc:subject><dc:subject xml:lang="sl">medijskost</dc:subject><dc:subject xml:lang="sl">metagledališkost</dc:subject><dc:subject xml:lang="en">metatheatricality</dc:subject><dc:subject xml:lang="en">postdramatic</dc:subject><dc:subject xml:lang="sl">postdramsko</dc:subject><dc:subject xml:lang="sl">Potočnjak, Draga, 1958-</dc:subject><dc:subject xml:lang="sl">Ravnjak, Vili, 1960-</dc:subject><dc:subject xml:lang="sl">Semenič, Simona, 1975-</dc:subject><dc:subject xml:lang="sl">Skubic, Andrej E., 1967-</dc:subject><dc:subject xml:lang="en">Slovene drama</dc:subject><dc:subject xml:lang="en">Slovene drama writers</dc:subject><dc:subject xml:lang="en">Slovene literature</dc:subject><dc:subject xml:lang="sl">slovenska dramatika</dc:subject><dc:subject xml:lang="sl">slovenska književnost</dc:subject><dc:subject xml:lang="sl">slovenski dramatiki</dc:subject><dcterms:temporal rdf:resource="1948-2025" /><dc:title xml:lang="sl">(Ne več) dramsko v sodobni slovenski dramatiki| (Jovanović, Ravnjak, Potočnjak, Skubic, Semenič)|</dc:title><dc:description xml:lang="sl">The article examines several examples of postdramatic intermedia intertwining, showing how in the contemporary drama and theater, a text rhizome, wh ich replaced the traditionally understood physicality of the book, appeared on the Slovene theater stages at the turn of the 21st century. Jovanović, Ravnjak, Potočnjak, Skubic, and Semenič have demonstrated with their plays that the Slovene writing for the theater, too, was headed for the waters disturbed by the postdramatic. They bear witness to the fact that after the postdramatic turn, theater texts tend to be in perpetual motion, in the process of semiosis. Therefore, the (no-longer) dramatic text in the theater nowadays represents one of the e lements in the weaving of various intertexts in the rhizome structure within the semiosphere of literature, theater, and culture</dc:description><dc:description xml:lang="sl">Prispevek preuči nekaj primerov postdramskih medmedijski h tkanj ter pokaže, kako se je v sodobni dramatiki in gledališču tekst rizom, ki je zamenj al tradicionalno razumljeno fizičnost knjige, znašel na slovenskih odrskih deskah v času preloma iz 20. v 21. stoletje. Jovanović, Ravnjak, Potočnjakova, Skubic in Semeničeva so s svojimi igrami pokazali, da se je tudi slovenska pisava za gledališče usmerila v vode, ki jih je razburkalo postdramsko. Pričajo o dejstvu, da je za besedila v gledališču po postdramskem obratu značilno, da so nenehno v gibanju, procesu semioze. (Ne več) dramski tekst v gledališču tako danes predstavlja enega izmed elementov tkanja različnih medbesedil v rizomski strukturi znotraj semiosfere literature, gledališča in kulture</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-807PQAFH"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-807PQAFH" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-807PQAFH/34d01ce5-f4aa-42f8-85f9-449a89d43d28/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slavistično društvo Slovenije</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-807PQAFH/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-807PQAFH" /></ore:Aggregation></rdf:RDF>