<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-7XQXR2CN/81ca0ba3-0ee4-4246-a63a-a057b58fa600/HTML"><dcterms:extent>65 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-7XQXR2CN/67112bfc-d726-474b-9e91-78a206e694be/PDF"><dcterms:extent>409 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-7XQXR2CN/a3d855be-3e64-467f-a548-809b5d5de76c/TEXT"><dcterms:extent>64 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1978-2025"><edm:begin xml:lang="en">1978</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-7XQXR2CN"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-EVBFLKN7" /><dcterms:issued>1999</dcterms:issued><dc:creator>Kralj, Lado</dc:creator><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">letnik:22</dc:format><dc:format xml:lang="sl">str. 13-33</dc:format><dc:identifier>ISSN:0351-1189</dc:identifier><dc:identifier>COBISSID:11065186</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-7XQXR2CN</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Slovensko društvo za primerjalno književnost</dc:publisher><dcterms:isPartOf xml:lang="sl">Primerjalna književnost</dcterms:isPartOf><dc:subject xml:lang="sl">belgijska književnost</dc:subject><dc:subject xml:lang="sl">Cankar, Ivan, 1876-1918</dc:subject><dc:subject xml:lang="en">comparative literature</dc:subject><dc:subject xml:lang="en">drama</dc:subject><dc:subject xml:lang="sl">dramatika</dc:subject><dc:subject xml:lang="sl">literarne študije</dc:subject><dc:subject xml:lang="sl">Maeterlinck, Maurice, 1862-1949</dc:subject><dc:subject xml:lang="sl">primerjalna književnost</dc:subject><dc:subject xml:lang="sl">simbolizem</dc:subject><dc:subject xml:lang="en">Slovene literature</dc:subject><dc:subject xml:lang="sl">slovenska književnost</dc:subject><dcterms:temporal rdf:resource="1978-2025" /><dc:title xml:lang="sl">Maeterlinckov model moderne drame| simbolistična dramska tehnika|</dc:title><dc:description xml:lang="sl">Maeterlinck's model of modern drama. Symbolist dramatic techniques. - The mainpurpose of Symbolist dramatic techniques is to send messages which are accessible above all to intuitive perception; these messages are mostly endangered by materiality. More specifically, a play can be destroyed by an actor because of his or her accidental subjectivity. Three defensive measures arise from this: the 'static theatre' (Maeterlinck), the 'reading drama' (Mallarmé) and the 'über-marionette' (E.G. Craig). The primary characteristicsof 'static theatre' are passive characters and the all-inclusive obsessive theme of death; the secondary characteristics are the 'second degree dialogue' (seemingly superfluous words and words unsaid), and the 'third person' (articulated with the indefinite pronouns 'someone', 'something' or a symbolic parallelism)</dc:description><dc:description xml:lang="sl">Glavni namen simbolistične dramske tehnike je pošiljanje sporočil, ki so dostopna predvsem intuitivnemu zaznavanju, največja nevarnost pa tem sporočilom grozi s strani materialnega. Še bolj določno: dramo utegne uničiti igralec in sicer zaradi svoje materialne in naključne subjektivitete. Odtod sledijo trije obrambni ukrepi: 'statično gledališče' (Maeterlinck), bralna drama (Mallarmé) in ńadmarioneta' (E. G. Craig). Primarni značilnosti 'statičnega gledališča' sta trpna dramska oseba in vseobsežna, obsesivna téma smrti; sekundarni pa 'dialog druge stopnje' (navidez odvečne besede in neizgovorjene besede) in 'tretja oseba' (artikulirana z nedoločnima zaimkoma 'nekdo', 'nekaj' ali kot simbolični paralelizem)</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-7XQXR2CN"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-7XQXR2CN" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-7XQXR2CN/67112bfc-d726-474b-9e91-78a206e694be/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovensko društvo za primerjalno književnost</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-7XQXR2CN/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-7XQXR2CN" /></ore:Aggregation></rdf:RDF>