<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-7VGVYOU9</identifier><date>2007</date><creator>Katalinić, Vjera</creator><relation>documents/doc/7/URN_NBN_SI_doc-7VGVYOU9_001.pdf</relation><relation>documents/doc/7/URN_NBN_SI_doc-7VGVYOU9_001.txt</relation><format format_type="issue">1</format><format format_type="volume">3</format><format format_type="type">article</format><format format_type="extent">str. 9-22</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">27197229</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-7VGVYOU9</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>InC</rights><subject language_type_id="slv">19.st.</subject><subject language_type_id="slv">avstrijska glasba</subject><subject language_type_id="slv">hrvaško gledališče</subject><subject language_type_id="slv">Mozart, Wolfgang Amadeus, 1756-1791</subject><subject language_type_id="slv">odrska glasba</subject><subject language_type_id="slv">opere</subject><subject language_type_id="slv">recepcija</subject><subject language_type_id="slv">uprizoritve</subject><subject language_type_id="slv">Zagreb</subject><title>To the "immortal composer": on the reception of Mozart's operas in 19th-century Zagreb</title></Record>