2244 KB32 KB197820252020Koron, Alenkaštevilka:1letnik:43str. 243-254ISSN:0351-1189COBISSID_HOST:18144515URN:URN:NBN:SI:doc-7J939IBBslSlovensko društvo za primerjalno književnostPrimerjalna književnostafektiaffectsčustvaemotionsguiltkratka zgodbakrivdanaratologijanarrative techniquenarratologypripovedna tehnikashameshort storySlovenian literatureslovenska književnostsramTratnik, SuzanaSram in krivda v kratki zgodbi "Marija, pomagaj" Suzane Tratnik|Affects and emotions have been recognized as an essential part of literary experience since Antiquity, but they were excluded from the consideration of narrative literature during the dominance of structuralism. An explicit interest in them has only emerged in narratological discourses in recent decades with the emerging paradigm of contemporary affect studies. Various influences have played a role in this, including the tradition of poetics, rhetoric and psychoanalysis, recent neuroscientific, cognitive and evolutionary approaches to narrative, as well as feminist narratology, queer theoretical conceptualizations of feelings, and more recently Deleuzian conceptions of affect. In this article, I draw on a syncretic model of narrative worldmaking developed by Claudia Breger in a dialogue with the influences listed, and taking into account Paul Ricoeur and Bruno Latour. In my reading of the short story Saint Mary, Help! from No Voices (2016) by contemporary writer and lesbian activist Suzana Tratnik, I try to probe the narrative productivity of shame and guilt as social affects in the process of narrative worldmaking, and shed light on the type of reader engagement her discourse invitesAfekti in emocije so že od antike naprej prepoznani kot bistveni del literarne izkušnje, a med prevlado strukturalizma so bili izključeni iz obravnave pripovedne literature. Izrecni interes zanje se je v naratoloških diskurzih pojavil šele v zadnjih desetletjih z nastajajočo paradigmo sodobnih študijev afekta. Pri tem so svojo vlogo odigrali različni vplivi, izročilo pojmov v poetiki, retoriki in psihoanalizi, novejši nevroznanstveni, kognitivni in evolucijski pristopi k pripovedi in še posebej feministična naratologija ter kvirovske teoretske konceptualizacije občutij, v zadnjem času pa tudi deleuzovska pojmovanja afekta. V članku se opiram na sinkretični model pripovednega svetotvorja (narrative worldmaking), ki ga je v dialogu z naštetimi vplivi ter upoštevanjem Paula Ricoeura in Bruna Latoura razvila Claudia Breger. V svojem branju kratke zgodbe "Marija, pomagaj" iz knjige Noben glas (2016) sodobne pisateljice in lezbične aktivistke Suzane Tratnik skušam v procesu pripovednega svetotvorja sondirati pripovedno produktivnost sramu in krivde kot družbenih afektov ter osvetliti tip bralskega angažmaja, h kateremu vabi njen diskurzTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost