<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-7IGZF1QP</identifier><date>2021</date><creator>Kaluža, Jernej</creator><relation>documents/doc/7/URN_NBN_SI_doc-7IGZF1QP_001.pdf</relation><relation>documents/doc/7/URN_NBN_SI_doc-7IGZF1QP_001.txt</relation><format format_type="issue">283</format><format format_type="volume">49</format><format format_type="type">article</format><format format_type="extent">str. 185-203</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">165702915</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-7IGZF1QP</identifier><language>slv</language><publisher publisher_location="Ljubljana">Študentska organizacija Univerze v Ljubljani</publisher><source>Časopis za kritiko znanosti</source><rights>BY-NC-ND</rights><subject language_type_id="slv">Balkan</subject><subject language_type_id="slv">narodnozabavna glasba</subject><subject language_type_id="slv">neoliberalizem</subject><subject language_type_id="slv">popularna glasba</subject><subject language_type_id="slv">tranzicija</subject><subject language_type_id="slv">turbofolk</subject><title>Narodnozabavna glasba - slovenski (anti)turbofolk ruralnega srednjega razreda?</title></Record>