268 KB46 KB197820252013Temiz, Ayşe D.številka:2letnik:36str. 97-113, 304ISSN:0351-1189COBISSID:52587106URN:URN:NBN:SI:doc-7CMBZ1V1enSlovensko društvo za primerjalno književnostPrimerjalna književnostDeleuze, Gilles, 1925-1995filozofija umetnostigubaknjiževnostliterarne študijeliteraturemonadanomadstvoprostorprostorskostSpace of literature| inertia and intensity|Deleuze and Guattari issue two paradoxical injunctions in A Thousand Plateaus: "Follow a line of flight!" and "Draw a plane of immanence!" The question of how to pass from Extension into the intensive realm, where pre-individual singularities prevail, arises as a crucial one. This essay explores Deleuze's articulations of the intensive space in art and philosophy,from the notion of "smooth space" to the concept of the "fold," which Deleuze extracts from Leibniz, only to give it a new inflection in his own analysis of cinema. The following question is then posed: is the figure of the nomad privileged over the monad in the last instance and, if so, do these concepts lapse into Extension, which they had intended to flee?V knjigi Mille plateaux Deleuze in Guattari podata dve paradoksni zahtevi: "Ravnaj se po liniji toka!" in "Vzpostavi ravnino imanence!" Zastavlja se vprašanje, kako preiti od Ekstenzije v intenzivno polje, kjer prevladujejo predindividualne singularnosti. Obravnavali bomo Deleuzove artikulacije intenzivnega prostora v umetnosti in filozofiji vse od pojma "gladkega prostora" do koncepta "gube", ki ga Deleuze izpelje iz Leibniza, da bi ga preobrazil v svoji analizi filma. Vprašali se bomo, ali ima figura nomada navsezadnje prednost pred monado in, če je tako, ali ta koncepta vendarle zapadeta Ekstenziji, ki jo hočeta zapustitiTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost