205 KB38 KB200720252020Onič, TomažPrajnč Kacijan, NastjaStr. 13-26ISSN:1854-9632COBISSID_HOST:22219011URN:URN:NBN:SI:doc-77INM59KenZnanstvena založba Filozofske fakulteteArs et humanitasbesedilno nasiljemodern dramaponavljanjeponovne pojavitvepsihološko nasiljepsychological violencerecurrencerepetitionsodobna dramaverbal violenceRepetition as a means of verbal and psychological violence in interrogation scenes from contemporary drama|The psychological and verbal pressure that often saturates the atmosphere in the interrogation scenes of certain subgenres of post-WWII drama can be achieved through various stylistic means. Among these are repetition and recurrence, which conveniently suit the nature of vicious interrogations, where questions (often illogical) are posed repeatedly, partly to extort information from the victim but predominantly to break the victim's resistance. Used in the ut - terances of the speaker, these repetitive questions or parts thereof intensify the distressing mood and strengthen the superiority of the speaker who intimidates, humiliates or otherwise degrades the victim. In this study, the focus will be on those instances of repetition and recurrence that contribute strongly to creating such situations and relationships in contemporary drama. The traditional iteration patterns will be identified, analysed and categorized according to the po - tential intensity of the repression and the schematic type of recurrence. The examples are taken from plays by Arthur Miller, Harold Pinter and Drago JančarPsihološke in verbalne pritiske, s katerimi so pogosto prežeti prizori zasliševanja v nekaterih dramskih delih iz obdobja po drugi svetovni vojni, dramatik pogosto doseže z različnimi slogovnimi sredstvi. Med njimi sta ponavljanje in ponovna pojavitev, ki kot besedni figuri ustrezata naravi zloveščih zasliševanj, na katerih zasliševalci (pogosto nelogična) vprašanja zastavljajo znova in znova - včasih zato, da bi od žrtve izsilili določene informacije, večinoma pa zato, da bi zlomili njen odpor. Ta ponavljajoča se vprašanja ali njihovi deli stopnjujejo napetost in krepijo nadvlado govorca, ki žrtev ustrahuje, ponižuje ali kako drugače degradira. Pričujoči prispevek se osredinja na tiste primere ponovitev in ponovnih pojavitev, ki znatno prispevajo k ustvarjanju takšnih situacij in odnosov v sodobni drami. Nadalje raziskava analizira tradicionalne iteracijske vzorce ter jih kategorizira glede na potencialno intenzivnost represije in figurativni vzorec ponovitve. Primeri so prevzeti iz iger Arthurja Millerja, Harolda Pinterja in Draga JančarjaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaZnanstvena založba Filozofske fakultete