<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-6IUPLZY0</identifier><date>2017</date><creator>Potočnik, Goran Č.</creator><relation>documents/doc/6/URN_NBN_SI_doc-6IUPLZY0_001.pdf</relation><relation>documents/doc/6/URN_NBN_SI_doc-6IUPLZY0_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">81</format><format format_type="type">article</format><format format_type="extent">str. 179-186</format><identifier identifier_type="ISSN">0038-0482</identifier><identifier identifier_type="COBISSID_HOST">4254555</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-6IUPLZY0</identifier><language>slv</language><publisher>KUD Sodobnost International</publisher><source>Sodobnost (1963)</source><rights>InC</rights><subject language_type_id="slv">filmski režiserji</subject><subject language_type_id="slv">Kozole, Damjan</subject><subject language_type_id="slv">Nočno življenje</subject><subject language_type_id="slv">slovenski film</subject><title>Morala kot konflikt</title></Record>