2186 KB36 KB197820252019Balžalorsky Antić, Varjaštevilka:1letnik:42str. 63-75ISSN:0351-1189COBISSID:69702754URN:URN:NBN:SI:doc-6HJF5XARslSlovensko društvo za primerjalno književnostPrimerjalna književnostintimizemliterarna recepcijaliterarne študijepesniški kanonslovenska književnostslovenska poezijasocialistična ideologijaŠkerl, Ada: Senca v srcužensko pisanjeŽenski pesemski diskurz v spletu povojnih ideologij| Senca v srcu Ade Škerl|The paper is dedicated to the poetry book Shadow in the Heart by Ada Škerl. The year 2019 marks seventy years since the publication of this poetry collection which was in many respects a landmark and which has to date never been reprinted, and ten years since the death of this ignored author who had been marginalized for many years and who was rehabilitated only at the end of her life. Using the case of this poetry book, the paper pinpoints some of the tensions among different forms of ideology and women's poetic discourse in the period after World War II. It first outlines the position of women in the then society based on media images, and goes on to present the ideologically dictated poetry production of the time as well as the turn towards intimism. This is followed by a dense analysis of the book in terms of themes and motifs and a transnarratological analysis, with an emphasis on representations of social gender: we find that the discourse of these poems remains within the bounds of patriarchal structures in both the poetological sense and the sense of social gender. The second part of the paper discusses the book's negative reception and its long-term consequences (creative self-censorship, long-lasting stigmatisation and staying on the margins of the poetry canon). The final part tackles the reasons why Shadow in the Heart's ground-breaking role as the beginner of the intimist poetry current has not been acknowledged by literary historyRazprava obravnava zbirko Senca v srcu Ade Škerl. V letu 2019 mineva sedemdeset let od izida te v marsičem prelomne zbirke, ki do danes ni doživela ponatisa, in deset let od smrti zamolčane avtorice, ki je bila dolga leta marginalizirana in je rehabilitacijo doživela šele ob koncu svojega življenja. Na primeru zbirke razprava pokaže nekaj tenzij med različnimi oblikami ideologije in ženskim pesemskim diskurzom v času po drugi svetovni vojni. Najprej skicira položaj ženske v tedanji družbi na podlagi medijske podobe, nato predstavi sočasno ideološko narekovano pesniško produkcijo in obrat k intimizmu. Sledi zgoščena tematsko-motivna in transnaratološka analiza knjige s poudarkom na analizi družbenospolnih reprezentacij, pri čemer se izkaže, da ta pesemski diskurz ostaja znotraj patriarhalno zasnovanih struktur tako v poetološkem kakor družbenospolnem smislu. V drugem delu članek obravnava negativno recepcijo knjige in njene daljnosežne posledice (ustvarjalno avtocenzuro, dolgotrajno stigmatizacijo in postavljenost na obrobje pesniškega kanona). V zadnjem delu so navedeni razlogi, zakaj Senci v srcu literarna zgodovina ni pripisala prelomne vloge začetnice intimističnega pesniškega tokaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost