<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-62FK3I8Z</identifier><date>2023</date><creator>Lassauzet, Benjamin</creator><relation>documents/doc/6/URN_NBN_SI_doc-62FK3I8Z_001.pdf</relation><relation>documents/doc/6/URN_NBN_SI_doc-62FK3I8Z_001.txt</relation><format format_type="volume">19</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 213-225</format><identifier identifier_type="DOI">10.3986/dmd19.2.11</identifier><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">186370051</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-62FK3I8Z</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-NC-ND</rights><subject language_type_id="slv">baleti za otroke</subject><subject language_type_id="slv">Debussy, Claude</subject><subject language_type_id="slv">eksotika</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">hindujska glasba</subject><subject language_type_id="slv">humor</subject><subject language_type_id="slv">ples</subject><title>Debussy’s old Hindu chant (La Boîte a joujoux)</title><title>exotic humorous fakery and rejuvenation of music</title></Record>