<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-5TA6JC2P</identifier><date>2002</date><creator>Rogelj Škafar, Bojana</creator><relation>documents/doc/5/URN_NBN_SI_doc-5TA6JC2P_001.pdf</relation><relation>documents/doc/5/URN_NBN_SI_doc-5TA6JC2P_001.txt</relation><format format_type="issue">1</format><format format_type="volume">12</format><format format_type="type">article</format><format format_type="extent">str. 301-303</format><identifier identifier_type="ISSN">0354-0316</identifier><identifier identifier_type="COBISSID">473222</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-5TA6JC2P</identifier><language>slv</language><publisher>Slovenski etnografski muzej</publisher><source>Etnolog. Nova vrsta (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">fotografije</subject><subject language_type_id="slv">Gaspari, Maksim, 1883-1980</subject><subject language_type_id="slv">motivi</subject><subject language_type_id="slv">slovenska likovna umetnost</subject><subject language_type_id="slv">Vurnik, Stanko, 1898-1932</subject><title>Fotografija družine Stanka Vurnika kot vir za motiv Gasparijeve razglednice</title></Record>