59 KB435 KB58 KB197820252003Troha, Gašperštevilka:1letnik:26str. 75-94ISSN:0351-1189COBISSID:22335842URN:URN:NBN:SI:doc-5FST30IOslSlovensko društvo za primerjalno književnostPrimerjalna književnostpartizanstvopolitično gledališčeslovenska dramatikaPartizanska dramatika| (1941-1945)|Partisan drama (1941-1945). There was a lively theatrical activity in the partisan army during the Second World War, which also stimulated the production of a number of theatrical texts. This article deals with the structure of these texts by using an analogy with the commedia dellćarte, which is limited to fixed characters and situations. The stability of the structure, having seven characters, at first glance suggests that this production was under the strict censorship of the communist ideologyč however some texts present a more complex form that resembles traditional burgeois drama and hence show that we should rather understand this structure as a result of the genuine beliefs of the authorsMed drugo svetovno vojno se je v partizanih razvila presenetljivo obsežna gledališka dejavnost, ki je vplivala na nastanek stevilnih dramskih tekstov. V tem članku skušam opisati njihovo podobo na podlagi analogije s commedio dell'arte, ki se omejuje na tipičnost oseb in situacij. Stalnost osnovne sheme s sedmimi tipi sicer napeljuje na domnevo, da je bila ta dramatika ideološko cenzurirana, a nekateri kompleksnejši teksti, ki se bližajo tradicionalni mesčanski drami, prej dokazujejo, da je šlo za posledico razmer in prepričanj piscevTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost