401 KB65 KB192120252025Božič, Anjaštevilka:3letnik:85str. 711-724ISSN:0006-5722DOI:10.34291/BV2025/03/BozicCOBISSID_HOST:262733571URN:URN:NBN:SI:doc-53JGW7K6slZaložba Univerze v LjubljaniBogoslovni vestnikčustvaemotionsfemale authorshiphumanismhumanizemretorične strategijerhetoricswomenžensko avtorstvoIn muliere virum faciat opus est| čustva kot znamenje ženskosti ali del retorične strategije v humanističnih panegirikih Isotte Nogarole (1418–1466)| In muliere virum faciat opus est| emotions as a sign of femininity or rhetorical tool in humanist panegyrics of Isotta Nogarola (1418–1466)|The literary output of one of the earliest female humanist authors, Isot -ta Nogarola, has for the most part been examined through the lens of gender. According to prevailing interpretations, Nogarola is thought to have gained access to the predominantly male circles of the humanist rei publicae litterari-ae by deliberately suppressing her femininity, a strategy supposedly linked above all to either the absence of emotion or the expression of inferiority. In contrast, the present contribution shows that Nogarola incorporates feelings of submissiveness, humility, or alleged female weakness into established rhetorical strategies such as captatio benevolentiae. In similar manner, she enriches her works with self-ironic allusions to feminine loquacity while simultaneousl celebrating her gender through catalogues of illustrious women. She therefore does not suppress her sex; rather, she consciously foregrounds it and explicitly positions herself in her works as a female authorLiterarno ustvarjanje ene prvih humanističnih avtoric, Isotte Nogarole, se je v zgodovini književnosti večinoma obravnavalo z vidika spola. Po prevladujočih interpretacijah naj bi si tako Nogarola pot v pretežno moške kroge humanistične rei publicae literaria utrla z namernim zatajevanjem svoje ženskosti, kar naj bi se odražalo predvsem v njenih izrazih čustev. Nasprotno pa pričujoči prispevek opozarja, da Nogarola čustva manjvrednosti, ponižnosti ali domnevne ženske šibkosti uporablja kot del uveljavljenih retoričnih strategij, denimo captatio benevolentiae. Podobno svoja dela prepleta z avto ironičnim namigi na žensko klepetavost, hkrati pa svoj spol slavi skozi kataloge znamenitih žensk. Svojega spola tako nikakor ne potlači, temveč ga zavestno izpostavlja in se v svojih delih izrecno predstavlja kot ženska avtoricaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Teološka fakulteta