715 KB105 KB199220252025Blaustein, LeopoldPłotka, Witoldštevilka:134/135letnik:34str. 279-322ISSN:1318-3362COBISSID_HOST:264538883URN:URN:NBN:SI:doc-4XWOKTRZenInštitut Nove revije - Zavod za humanistikoPhainomena (Ljubljana)aesthetic experienceassumptioncinematic artdomišljijski svetdomnevaestetsko izkustvofeelingimaginative worldkinematografska umetnostobčutjepleasurepredstavapresentationužitekContributions to the Psychology of the Cinemagoer|The text aims to describe the experiences of the cinemagoer by analyzing complexes of lived experiences as being composed of presentations, feelings, and judgments. These experiences are discussed with regard to the status of sensations and the object constituted by the goer. The study examines the types and features of experiences expressed by film characters by scrutinizing the theory of sympathy (Einfühlung). Moreover, the status and meaning of music in the cinemagoer’s lived experiences is explored; in this respect, the author argues that music is an important factor in shaping the goer’s mood. The text determines non-aesthetic and “semi-aesthetic” factors, which are combined in the cinemagoer’s lived experiences, and inquires into the status of the world of cinematic artTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaInštitut Nove revije - Zavod za humanistiko