<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-4WMQJFTX</identifier><date>2005</date><creator>Kante, Božidar</creator><relation>documents/doc/4/URN_NBN_SI_doc-4WMQJFTX_001.pdf</relation><relation>documents/doc/4/URN_NBN_SI_doc-4WMQJFTX_001.txt</relation><format format_type="volume">14</format><format format_type="issue">51/52</format><format format_type="type">article</format><format format_type="extent">str. 77-94</format><identifier identifier_type="ISSN">1318-3362</identifier><identifier identifier_type="COBISSID">30248290</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-4WMQJFTX</identifier><language>slv</language><publisher>Nova revija</publisher><source>Phainomena (Ljubljana)</source><rights>InC</rights><subject language_type_id="eng">aesthetics</subject><subject language_type_id="slv">estetika</subject><subject language_type_id="slv">fenomenologija</subject><subject language_type_id="slv">Husserl, Edmund, 1859-1938</subject><subject language_type_id="slv">Ingarden, Roman, 1893-1970</subject><subject language_type_id="slv">intencionalnost</subject><title>Husserl in Ingarden o sliki (podobi)</title></Record>