{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-4PM29GS3/c816affb-a818-4ad4-aa54-495e4a94227b/PDF","dcterms:extent":"602 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-4PM29GS3/bb9ee1c1-73ca-4666-ade3-7f792d3a3e21/TEXT","dcterms:extent":"33 KB"}],"edm:TimeSpan":{"@rdf:about":"1978-2025","edm:begin":{"@xml:lang":"en","#text":"1978"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-4PM29GS3","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-EVBFLKN7"},{"@xml:lang":"sl","#text":"Primerjalna književnost"}],"dcterms:issued":"2020","dc:creator":"Šuvaković, Miško","dc:format":[{"@xml:lang":"sl","#text":"številka:3"},{"@xml:lang":"sl","#text":"letnik:43"},{"@xml:lang":"sl","#text":"str. 65-77"}],"dc:identifier":["ISSN:0351-1189","DOI:10.3986/pkn.v43.i3.04","COBISSID:42828803","URN:URN:NBN:SI:doc-4PM29GS3"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"Slovensko društvo za primerjalno književnost"},"dc:subject":[{"@xml:lang":"sl","#text":"konceptualna umetnost"},{"@xml:lang":"sl","#text":"neoavantgarda"},{"@xml:lang":"sl","#text":"Neue Slowenische Kunst"},{"@xml:lang":"sl","#text":"OHO"},{"@xml:lang":"sl","#text":"politika"},{"@xml:lang":"sl","#text":"postavantgarda"},{"@xml:lang":"sl","#text":"retroavantgarda"},{"@xml:lang":"sl","#text":"revolucija"},{"@xml:lang":"sl","#text":"slovenska umetnost"},{"@xml:lang":"sl","#text":"umetnost in družba"}],"dcterms:temporal":{"@rdf:resource":"1978-2025"},"dc:title":{"@xml:lang":"sl","#text":"Between new sensibility and transgression| Slovenian alternative artistic practices - OHO and NSK|"},"dc:description":[{"@xml:lang":"sl","#text":"The article conducts a comparative discussion on the strategic poetic and political similarities/differences between the respective contexts of neo-avant-garde and retro-avant-garde practices in relation to aesthetic, artistic, and cultural revolutions. I juxtapose two revolutionary potentials and effects of their actualisation: the utopias and projections of the international revolution relating to the \"new sensibility\" and the unity of \"art and life\" of 1968, and several projects and practices that undermine totalitarian systems, from punk cynicism to the national revolutions of 1989 that overthrew real socialism in the Eastern and Central Europe. In my comparative discussion I focus on two specific cases in Slovenian art and alternative cultures, highlighting the position of \"experimental poetry,\" \"new sensibility,\" and \"conceptual art\" of the OHO group, active between 1966 and 1971, and the position of \"political cynicism\" and \"retro-avant-garde art\" in the Neue Slowenische Kunst movement founded in 1984"},{"@xml:lang":"sl","#text":"Članek primerja strateške pesniške in politične podobnosti oziroma razlike med konteksti neoavangardne in retroavantgardne prakse v povezavi z estetskimi, umetniškimi in kulturnimi revolucijami. Sopostavim dva revolucionarna potenciala in učinka njunega udejanjanja: utopije in projekcije mednarodne revolucije, ki se nanašajo na \"novo senzibilnost\" in enotnost \"umetnosti in življenja\" (v letu 1968), ter več projektov in praks, ki spodkopavajo totalitarne sisteme, od punkovskega cinizma do nacionalnih revolucij leta 1989, ki so strmoglavile realsocializem v vzhodni in srednji Evropi. V primerjalni razpravi se osredotočam na dva konkretna primera v slovenski umetnosti in alternativni kulturi, pri čemer poudarjam položaj \"eksperimentalne poezije\", \"nove senzibilnosti\" in \"konceptualne umetnosti\" skupine OHO, ki deluje med letoma 1966 in 1971, ter stališče \"političnega cinizma\" in \"retro-avantgardne umetnosti\" v gibanju Neue Slowenische Kunst, ustanovljenem leta 1984"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-4PM29GS3","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-4PM29GS3"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-4PM29GS3/c816affb-a818-4ad4-aa54-495e4a94227b/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovensko društvo za primerjalno književnost"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-4PM29GS3/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-4PM29GS3"}}}}