{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-4JSNO0ZQ/6e59da3a-4b4c-4149-bfd9-a25d151badb1/PDF","dcterms:extent":"438 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-4JSNO0ZQ/66c4076a-5213-40f2-83c8-9d5f11c4320e/TEXT","dcterms:extent":"0 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-4JSNO0ZQ","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2022","dc:creator":"Ocepek, Pavel","dc:contributor":"Zavrl, Andrej","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:10"},{"@xml:lang":"sl","#text":"str. 154-179"}],"dc:identifier":["DOI:10.51937/Amfiteater-2022-1/154-179","COBISSID_HOST:114789379","ISSN:1855-4539","URN:URN:NBN:SI:doc-4JSNO0ZQ"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut"},"dc:subject":[{"@xml:lang":"sl","#text":"družbene spremembe"},{"@xml:lang":"sl","#text":"seksualne kulture"},{"@xml:lang":"sl","#text":"seksualnost"},{"@xml:lang":"sl","#text":"Semenič, Simona"},{"@xml:lang":"en","#text":"sexual cultures"},{"@xml:lang":"en","#text":"sexuality"},{"@xml:lang":"en","#text":"Slovenian drama"},{"@xml:lang":"sl","#text":"slovenska dramatika"},{"@xml:lang":"en","#text":"social changes"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Seksualno osvobojena ženska| seksualnost in seksualne kulture v dveh dramah Simone Semenič|"},"dc:description":[{"@xml:lang":"sl","#text":"The paper takes as its starting point the theory of sexuality as a social structure defined, among other things, by sexual cultures and their distinctive discourses and imperatives. The analysis of the distinguishing elements of restrictive and permissive sexual cultures in two of Simona Semenič’s plays – this apple, made of gold and rowan, strudel, dance and more – shows that sexuality is indeed one of the central themes in both plays. Furthermore, the playwright situates the thematisation of all sexual cultures in the context of social changes in organising sexuality. The dramatic subject finds herself in the grip of the modernisation of sexuality from which she is liberated through a drive to detraditionalise and individualise her sexuality and through a change in sexual morality. Simona Semenič primarily liberates the woman and her sexuality, who – with the rejection of the anti- sexual tradition of the Roman Catholic Church and the social changes in the organisation of sexuality in (post-)socialist society – traverses the path from sexual restraint to sexual liberalisation. The analysis proves that a sexually liberated woman, as thematised by Simona Semenič, is a novelty in Slovenian drama"},{"@xml:lang":"sl","#text":"Prispevek izhaja iz teorije o seksualnosti kot družbeni strukturi, ki jo med drugim opredeljujejo seksualne kulture s svojimi značilnimi diskurzi in imperativi. Analiza identifikacijskih elementov restriktivne in permisivne seksualne kulture v dveh dramskih besedilih Simone Semenič, in sicer to jabolko, zlato in jerebika, štrudelj, ples pa še kaj, je pokazala, da je ena od središčnih tem v obeh dramskih besedilih prav seksualnost. Še več, dramatičarka tematiziranje seksualnih kultur postavlja v okvir družbenih sprememb pri organiziranosti seksualnosti. Dramski subjekt se znajde v primežu modernizacije seksualnosti, od koder pa se s težnjami po detradicionalizaciji in individualizaciji lastne seksualnosti ter ob spremembi seksualne morale osvobodi. Simona Semenič v tem smislu osvobodi predvsem žensko, ki ob zavračanju tradicionalnega pogleda na seksualnost, lastnega rimskokatoliški cerkvi, in ob družbenih spremembah pri organiziranosti seksualnosti v (post)socialistični družbi prehodi pot od seksualne zadržanosti do seksualne liberalizacije. Analiza dokazuje, da je seksualno osvobojena ženska, kot jo tematizira Simona Semenič, novost v slovenski dramatiki"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-4JSNO0ZQ","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-4JSNO0ZQ"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-4JSNO0ZQ/6e59da3a-4b4c-4149-bfd9-a25d151badb1/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-4JSNO0ZQ/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-4JSNO0ZQ"}}}}