<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-4IG9HNQ4/6aaa0138-dec7-4dd0-a83d-89e3f1382f81/PDF"><dcterms:extent>360 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-4IG9HNQ4/f3136bc6-7e82-436f-90f5-cc22f01ee7dd/TEXT"><dcterms:extent>0 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1955-2025"><edm:begin xml:lang="en">1955</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-4IG9HNQ4"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-2SDQL3ET" /><dcterms:issued>2020</dcterms:issued><dc:creator>Zupan Sosič, Alojzija</dc:creator><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">letnik:65</dc:format><dc:format xml:lang="sl">str. 89-100, 150</dc:format><dc:identifier>ISSN:0021-6933</dc:identifier><dc:identifier>COBISSID_HOST:36725763</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-4IG9HNQ4</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Slavistično društvo Slovenije</dc:publisher><dcterms:isPartOf xml:lang="sl">Jezik in slovstvo</dcterms:isPartOf><dc:subject xml:lang="sl">Cankar, Ivan</dc:subject><dc:subject xml:lang="sl">esejizacija</dc:subject><dc:subject xml:lang="en">essayisation</dc:subject><dc:subject xml:lang="en">genre syncretism</dc:subject><dc:subject xml:lang="sl">miselna jedra</dc:subject><dc:subject xml:lang="en">philosophical potential</dc:subject><dc:subject xml:lang="en">Slovenian literature</dc:subject><dc:subject xml:lang="en">Slovenian writers</dc:subject><dc:subject xml:lang="sl">slovenska književnost</dc:subject><dc:subject xml:lang="sl">slovenski pisatelji</dc:subject><dc:subject xml:lang="sl">trojna tujost</dc:subject><dc:subject xml:lang="sl">žanrski sinkretizem</dc:subject><dcterms:temporal rdf:resource="1955-2025" /><dc:title xml:lang="sl">Tujci, prvi roman Ivana Cankarja|</dc:title><dc:description xml:lang="sl">Ivan Cankar's first novel Tujci (Strangers, 1901) surpassed the level of previous Slovenian novels in many ways. The paper examines two innovations in depth: essayisation (discursivity) and genre syncretism. In explaining digressive innovation, I shed light on the fundamental antagonisms of Cankar's narrative, expressed through irony and satire, directed by strong (social or socialist) empathy. I consider genre syncretism and interpret triple love failure as triple alienation - alienation from the homeland and a foreign country, from art and work, and from women and family - and finally synthesise all of these alienations through the gap between town and countryside. The complex research indicates not only the outlines of future novelistic poetics, but also Cankar's philosophical potential, reflected in the thought cores and their subtle unmasking of various phenomena</dc:description><dc:description xml:lang="sl">Prvi roman Ivana Cankarja Tujci (1901) je presegel nivo dotedanjih slovenskih romanov z več lastnostmi; v razpravi sem se poglobljeno posvetila dvema izvirnostma, tj. esejizaciji in žanrskemu sinkretizmu. Pri razlagi digresivne inovativnosti sem se dotaknila temeljnih antagonizmov Cankarjeve pripovedi, izraženih skozi ironijo in satiro, ki ju usmerja močna (socialna oziroma socialistična) empatija. V analizi žanrske inovativnosti sem upoštevala žanrski sinkretizem in trojni ljubezenski neuspeh razlagala kot trojno odtujenost - tujost domovine in tujine, umetnosti in dela, ženske in družine -, na koncu pa sem vse odtujenosti sintetizirala še s prepadom med mestom in predmestjem. Obravnava prvega Cankarjevega romana ni nakazala samo obrisov bodoče romaneskne poetike, ampak tudi Cankarjev filozofski potencial, ki se odraža v pronicljivem demaskiranju pojavov</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-4IG9HNQ4"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-4IG9HNQ4" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-4IG9HNQ4/6aaa0138-dec7-4dd0-a83d-89e3f1382f81/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slavistično društvo Slovenije</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-4IG9HNQ4/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-4IG9HNQ4" /></ore:Aggregation></rdf:RDF>