<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-4G32CHIO</identifier><date>2012</date><creator>Bezlaj, Jiři</creator><relation>documents/doc/4/URN_NBN_SI_doc-4G32CHIO_001.pdf</relation><relation>documents/doc/4/URN_NBN_SI_doc-4G32CHIO_001.txt</relation><format format_type="issue">5</format><format format_type="volume">76</format><format format_type="type">article</format><format format_type="extent">str. 479-487</format><identifier identifier_type="ISSN">0038-0482</identifier><identifier identifier_type="COBISSID">274451968</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-4G32CHIO</identifier><language>slv</language><publisher>KUD Sodobnost International</publisher><source>Sodobnost (1963)</source><rights>InC</rights><subject language_type_id="slv">likovna umetnost</subject><subject language_type_id="slv">sodobna umetnost</subject><subject language_type_id="slv">teorija umetnosti</subject><subject language_type_id="eng">visual arts</subject><title>Če ne maraš piti, bodi vino!</title></Record>