<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-4EIYDGGN</identifier><date>2006</date><creator>Talbot, Michael</creator><relation>documents/doc/4/URN_NBN_SI_doc-4EIYDGGN_001.pdf</relation><relation>documents/doc/4/URN_NBN_SI_doc-4EIYDGGN_001.txt</relation><format format_type="issue">2</format><format format_type="volume">2</format><format format_type="type">article</format><format format_type="extent">str. 99-105</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">27405357</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-4EIYDGGN</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>InC</rights><subject language_type_id="slv">Albinoni, Tomaso, 1671-1750</subject><subject language_type_id="slv">baročna glasba</subject><subject language_type_id="slv">italijanska glasba</subject><subject language_type_id="slv">sonate</subject><subject language_type_id="slv">Vivaldi, Antonio, 1678-1741</subject><title>The "stylized" dance in Italian sonatas of the late Baroque</title></Record>