<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-4E4FNVI1</identifier><date>2014</date><creator>Bauer, Marko</creator><relation>documents/doc/4/URN_NBN_SI_doc-4E4FNVI1_001.pdf</relation><relation>documents/doc/4/URN_NBN_SI_doc-4E4FNVI1_001.txt</relation><format format_type="type">article</format><format format_type="issue">letn. 51</format><format format_type="extent">str. 17-22</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID">282160128</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-4E4FNVI1</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">film</subject><subject language_type_id="slv">filmska teorija</subject><subject language_type_id="slv">filozofski vidik</subject><title>Auteur v času, ko ga je mogoče tehnično reproducirati</title><title>Kleistove marionete, Bressonovi modeli in kaj ima s tem Angelina Jolie</title></Record>