{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-46P0M77P/1b824ca7-6c39-4c90-87b3-9ae56fb3a208/PDF","dcterms:extent":"179 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-46P0M77P/702c5ad5-c2ea-4751-b4e1-9c41d5f27505/TEXT","dcterms:extent":"36 KB"}],"edm:TimeSpan":{"@rdf:about":"1987-2025","edm:begin":{"@xml:lang":"en","#text":"1987"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-46P0M77P","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-HMBNGC1O"},{"@xml:lang":"sl","#text":"Slavica Tergestina"}],"dcterms:issued":"2019","dc:creator":"Mršek Bajda, Lela Angela","dc:format":[{"@xml:lang":"sl","#text":"Str. 155-172"},{"@xml:lang":"sl","#text":"številka:vol. 22"}],"dc:identifier":["DOI:10.13137/2283-5482/24688","ISSN:1592-0291","COBISSID:26950915","URN:URN:NBN:SI:doc-46P0M77P"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"Universita degli Studi di Trieste"},"dc:subject":[{"@xml:lang":"sl","#text":"avantgarda"},{"@xml:lang":"sl","#text":"estetska funkcionalizacija"},{"@xml:lang":"sl","#text":"manifest"},{"@xml:lang":"en","#text":"modernism"},{"@xml:lang":"en","#text":"neo-avant-garde"},{"@xml:lang":"en","#text":"periphery"},{"@xml:lang":"en","#text":"revolution"},{"@xml:lang":"en","#text":"Slovenian literature"},{"@xml:lang":"en","#text":"student movement"},{"@xml:lang":"sl","#text":"temporalizacija"},{"@xml:lang":"en","#text":"world-system"}],"dcterms:temporal":{"@rdf:resource":"1987-2025"},"dc:title":{"@xml:lang":"sl","#text":"NSK, IRWIN in Malevič| NSK, IRWIN and Malevich|"},"dc:description":{"@xml:lang":"sl","#text":"Univerzalna transhistorična tipizacija avantgard Petra Bürgerja, ki jo sam uvidi kot razprto, je mogoča na podlagi njegovih izhodišč, če jo povežemo z definicijo temporalnosti avantgard Petra Osborna. Razmerje lahko preizkusimo na primeru več desetletij dejavnega avantgardnega kolektiva v povezavi z zgodovinsko avantgardo. Odločili smo se za primer manifestov NSK in IRWIN ter IRWIN-ovega zgodovinjenja zgodovine Malevičeve umetnosti. Smrt je tako pri Maleviču kot pri IRWIN splet časov, ki omogoča prehod materialnega v idejno. Ugotovili smo, da tisto, kar Bürger imenuje umetniški material, obstaja kot z umetnostjo inicirana temporalizacija relacij. Glede na to je avantgardna montaža estetski način povezovanja, je idejni proces. Montaža kot atribut avantgarde je estetsko funkcionalizirana ideja"},"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-46P0M77P","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-46P0M77P"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-46P0M77P/1b824ca7-6c39-4c90-87b3-9ae56fb3a208/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Universita degli Studi di Trieste"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-46P0M77P/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-46P0M77P"}}}}