{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-44BVVYEP/28cbd45f-995c-42ab-a254-17a31f1ea394/PDF","dcterms:extent":"324 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-44BVVYEP/acfcfa98-0ccc-496f-8630-41a3bc3cd09d/TEXT","dcterms:extent":"0 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-44BVVYEP","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2022","dc:creator":"Gantar, Jure","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:10"},{"@xml:lang":"sl","#text":"str. 66-92"}],"dc:identifier":["DOI:10.51937/Amfiteater-2022-1/66-78","DOI:10.51937/Amfiteater-2022-1/80-92","COBISSID_HOST:114277891","ISSN:1855-4539","URN:URN:NBN:SI:doc-44BVVYEP"],"dc:language":["en","sl"],"dc:publisher":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut"},"dc:subject":[{"@xml:lang":"en","#text":"comedy"},{"@xml:lang":"sl","#text":"Elinor Fuchs"},{"@xml:lang":"en","#text":"improvisational comedy"},{"@xml:lang":"sl","#text":"improvizacijska komedija"},{"@xml:lang":"sl","#text":"komedija"},{"@xml:lang":"en","#text":"postdramatic theatre"},{"@xml:lang":"sl","#text":"postdramsko gledališče"},{"@xml:lang":"sl","#text":"skeč"},{"@xml:lang":"en","#text":"sketch comedy"},{"@xml:lang":"en","#text":"stand-up comedy"},{"@xml:lang":"sl","#text":"standup komedija"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"The death of character in postdramatic comedy| Smrt značaja v postdramski komediji|"},"dc:description":[{"@xml:lang":"sl","#text":"According to Elinor Fuchs, the main characteristic of postmodern theatre and, consequently, the main reason for the decline of the dramatic text as the most important element of classical theatre is the death of character. While the traditional Hegelian view of drama depends heavily on a unified fictional subject, Fuchs argues that both modern and postmodern theatre destabilise and subvert this subject to the degree that we can no longer see it as a coherent whole. Yet, her theory, like Hans-Thies Lehmann’s, has one notable methodological weakness: she almost entirely ignores comedy. Her study omits in its analysis a substantial portion of the repertoire not only of the mainstream but also of fringe and experimental theatres. This paper attempts to rectify this omission and hopes to determine whether character also disappears from postdramatic comedy and not just from serious postdramatic theatre. The analysis focuses on three forms of postmodern comedy that deviate from the traditional narrative format and seem to support Fuchs’s reading: on sketch, stand-up and improvisational comedy. Using examples from sketch comedy Beyond the Fringe, George Carlin’s stand-up acts and The Second City improvs, the main body of the argument tests the cogency of the basic tenets of Fuchs’s theory. The second part of the paper offers a counterargument and a possible supplement to her hypothesis"},{"@xml:lang":"sl","#text":"Po mnenju Elinor Fuchs je glavna značilnost postmodernega gledališča in potemtakem osnovni razlog za zaton dramskega besedila kot najpomembnejše prvine klasičnega gledališča smrt dramskega značaja. Medtem ko tradicionalni hegeljanski pogled na dramo temelji na enotnem fiktivnem subjektu, piše Fuchs, pa tako moderno kot postmoderno gledališče tak subjekt destabilizirata in sprevračata do te mere, da ga ne moremo več obravnavati kot celoto. A podobno kot Lehmannova ima tudi njena teorija vsaj eno opazno metodološko pomanjkljivost: skoraj popolnoma prezre komedijo. Fuchs se v svoji razčlembi izogne precejšnjemu deležu repertoarja institucionalnih pa tudi alternativnih in eksperimentalnih gledališč. Pričujoča razprava poskuša odpraviti to pomanjkljivost in ugotoviti, ali značaj izgine tudi iz postdramske komedije in ne le iz postdramske resne dramatike. Pri tem se osredotoča na tri podzvrsti postmoderne komedije, ki odstopajo od tradicionalnega pripovednega vzorca in na prvi pogled potrjujejo interpretacije Elinor Fuchs: na skeč komedijo, standup komedijo in improvizacijsko komedijo. Prvi del prispevka se posveča analizi nekaj značilnih prizorov iz skeč komedije Onkraj obrobja (Beyond the Fringe), standup rutin Georgea Carlina in improgledališča Drugo mesto (The Second City). Drugi del ponuja protiargument ter možno dopolnilo k njenim hipotezam"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-44BVVYEP","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-44BVVYEP"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-44BVVYEP/28cbd45f-995c-42ab-a254-17a31f1ea394/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-44BVVYEP/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-44BVVYEP"}}}}