{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-3YLO46QP/f5de2c5e-1223-45ff-babb-b5a9cad6967f/PDF","dcterms:extent":"353 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-3YLO46QP/4bf7228a-3766-455e-8c3b-3f3a26db3f5b/TEXT","dcterms:extent":"42 KB"}],"edm:TimeSpan":{"@rdf:about":"2007-2025","edm:begin":{"@xml:lang":"en","#text":"2007"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-3YLO46QP","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-REUWXDY1"},{"@xml:lang":"sl","#text":"Ars et humanitas"}],"dcterms:issued":"2019","dc:creator":"Marinčič, Katarina","dc:format":[{"@xml:lang":"sl","#text":"letnik:13"},{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"str. 102-118"}],"dc:identifier":["ISSN:1854-9632","COBISSID_HOST:70936930","URN:URN:NBN:SI:doc-3YLO46QP"],"dc:language":"fr","dc:publisher":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"dc:subject":[{"@xml:lang":"sl","#text":"20. st."},{"@xml:lang":"sl","#text":"20e siecle"},{"@xml:lang":"sl","#text":"20th century"},{"@xml:lang":"sl","#text":"espace"},{"@xml:lang":"sl","#text":"francoska književnost"},{"@xml:lang":"sl","#text":"French literature"},{"@xml:lang":"sl","#text":"littérature française"},{"@xml:lang":"sl","#text":"občutenje prostora"},{"@xml:lang":"sl","#text":"prostor"},{"@xml:lang":"sl","#text":"Proust, Marcel"},{"@xml:lang":"sl","#text":"sens de l'espace"},{"@xml:lang":"sl","#text":"sense of space"},{"@xml:lang":"sl","#text":"space"}],"dcterms:temporal":{"@rdf:resource":"2007-2025"},"dc:title":{"@xml:lang":"sl","#text":"Divini elementa poetae| les lieux et leurs noms dans l'ouvre de jeunesse de Marcel Proust|"},"dc:description":[{"@xml:lang":"sl","#text":"The paper addresses the sense of space in Marcel Proust's youthful work. The collection of Proust's early texts, published in 1896 at the author's expense under the title Pleasures and Days, cemented his reputation as a dilettante, a snob and a salon lion among his contemporaries. This opinion stood the test of time. Even from the standpoint of later readers and critics, there is a striking gap between Proust's first literary attempt and his great work, the cycle In Search of Lost Time. However, as we are trying to show, this gap is not caused by changes in the subject matter (Proustian themes and motifs are already heavily present in his early work), but in stylistic shifts that entail profound changes of meaning. At least a posteriori, we can discern some crucial elements of the Proustian vision in his early prose. These may be particularly noticeable in regard to the young Proust's relation to space: his habit of illustrating distance in time with distance in space; the importance that he attaches to places and the evocative power of their names; the attention he pays to backgrounds and venues; and finally, his fascination with the dissolution of spatial boundaries, a phenomenon that the narrator of the Search for Lost Time experiences in the moments between sleep and wakefulness, while the painter Elstir, the greatest artist among Proust's literary characters, derives an artistic principle from it"},{"@xml:lang":"sl","#text":"L'article aborde le sens de l'espace dans l'ouvre de jeunesse de Marcel Proust, notamment dans son premier livre Les Plaisirs et les Jours. Le recueil hétérogene des textes de jeunesse que Proust publie en 1896 a compte d 'auteur cimente sa réputation de dilettante et de snob. En ce qui concerne son début littéraire, le jugement des contemporains sur Proust a été confirmé par la postérité. Tout en reconnaissant l'abîme qui sépare Les Plaisirs et les Jours de la Recherche, nous nous proposons de souligner quelques particularités des textes de jeunesse qui nous aident peut-etre a discerner, au dela des ressemblances thématiques banales et trompeuses, des germes de l'écriture proustienne dans l'écriture tâtonnante du mondain amateur. Meme dans les parties les moins réussies et les plus insignifiantes des Plaisirs et les Jours, on peut remarquer une préoccupation que Proust gardera jusqu'a la derniere page de son grand cycle: le besoin de s'orienter dans l'espace - pour pouvoir se placer dans le temps"},{"@xml:lang":"sl","#text":"Članek obravnava občutenje prostora v mladostnem delu Marcela Prousta. Heterogena zbirka Radosti in dnevi, ki jo je pisatelj v samozaložbi izdal leta 1896, je med sodobniki utrdila njegov sloves diletanta, snoba in salonskega leva. Ta sodba je v veliki meri obveljala. Med Proustovim prvim literarnim poskusom in njegovim vélikim delom, ciklom V iskanju izgubljenega časa, tudi s stališča poznejših bralcev in kritikov zeva osupljiv prepad. Vendar ta prepad, kot skušamo pokazati v pričujoči kratki razpravi, ni toliko v spremenjeni tematiki (proustovske teme so v mladostnem delu že močno prisotne) kakor v slogovnih premikih, ki potegnejo za seboj globoke vsebinske spremembe.Vsaj a posteriori pa lahko v mladostni prozi že razbiramo nastavke poznejše proustovske optike. Ti so morda še posebej opazni v odnosu, ki ga avtor zbirke Radosti in dnevi vzpostavlja do prostora: s tem, da časovno oddaljenost ponazarja z razdaljo v prostoru; s tem, da poseben pomen pripisuje krajem in evokativnosti njihovih imen; s pozornostjo, ki jo posveča ozadjem in prizoriščem; ter naposled: z zabrisovanjem prostorskih razmejitev, s pojavom, ki ga pripovedovalec Iskanja izgubljenega časa doživlja na meji med snom in budnostjo, slikar Elstir, največji umetnik med osebami Proustovega cikla, pa si iz njega izpelje umetniški princip"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-3YLO46QP","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-3YLO46QP"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-3YLO46QP/f5de2c5e-1223-45ff-babb-b5a9cad6967f/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-3YLO46QP/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-3YLO46QP"}}}}