2303 KB139 KB201320252025Golec, Borisštevilka:1letnik:30str. 39-82DOI:10.3986/ahas.30.1.03ISSN:1408-0419COBISSID_HOST:251499011URN:URN:NBN:SI:doc-3PKO5WI6slZnanstvenoraziskovalni center Slovenske akademije znanosti in umetnosti, Umetnostnozgodovinski inštitut Franceta SteletaActa historiae artis SlovenicaAdelstein (rodbina)Adelstein familyAndrej PericDienersperg (rodbina)Dienersperg familyDobrna ManorDobrna, gradHohenwart (rodbina)Hohenwart familyJožef Breznikoil paintingsoljne slikeportrait paintingsportretno slikarstvoStrassberf familyStrassberg (rodbina)Valvasor (rodbina)Valvasor familyZbirka plemiških portretov Jožefa Breznika s Koga pri Ormožu in njen osrednji del Galerija Dienerspergiana|In 1934, the National Museum in Ljubljana purchased a collection of thirty-nine noble portraits from Jožef Breznik, a landowner at Kog near Ormož. The paintings were part of the estate of Antonia Kofler, née Baroness Dienersperg, the former owner of Breznik’s property. Half of the portraits came from the Dienersperg family from Dobrna near Celje and the other half from the Barons Adelstein from the Dobrnica Mansion near Dobrna, where Antonia’s grandmother came from. In about 1832, Antonia’s grandfather, Baron Franz Xaver Dienersperg, the owner of the Dobrna and Dobrnica mansions, added uniform inscriptions to the portraits at Dobrna. These were the sixteen portraits of Styrian and Carniolan Dienerspergs and two portraits of their relatives from the Hohenwart and Strassberg families, which were given the collective name Galeria Dienerspergiana. A single painter is signed, the hitherto little-known Andreas Peric. One of the earlier oil paintings was believed to be the portrait of Regina Constantia von Dienersperg, the long--forgotten youngest daughter of the Carniolan polymath Johann Weikhard von ValvasorNarodni muzej v Ljubljani je leta 1934 od Jožefa Breznika, posestnika na Kogu pri Ormožu, kupil zbirko 39 plemiških portretov iz zapuščine Antonije Kofler, rojene baronice Dienersperg, nekdanje lastnice Breznikove kupljene posesti. Polovica portretov je izvirala od rodbine Dienersperg z Dobrne pri Celju, druga polovica pa od baronov Adelsteinov iz dvorca Dobrnica pri Dobrni, od koder je bila Antonijina babica. Antonijin ded Franc Ksaver baron Dienersperg, graščak na Dobrni in Dobrnici, je dal tisti del portretov, ki se je nahajal v dvorcu Dobrna, okoli leta 1832 opremiti z enotnimi napisi. Gre za 16 portretov štajerskih in kranjskih Dienerspergov ter dva portreta sorodnikov iz rodbin Hohenwart in Straßberg, ki smo jih poimenovali s skupnim imenom Galerija Dienerspergiana. Na njih je podpisan samo en slikar, doslej komaj znani Andrej Peric, eden pa naj bi prikazoval Regino Konstancijo pl. Dienersperg, dolgo pozabljeno najmlajšo hčer polihistorja Janeza Vajkarda ValvasorjaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaZRC SAZU, Umetnostnozgodovinski inštitut Franceta Steleta