<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-3NW9OCSS</identifier><date>2013</date><creator>Prassl, Franz Karl</creator><relation>documents/doc/3/URN_NBN_SI_doc-3NW9OCSS_001.pdf</relation><relation>documents/doc/3/URN_NBN_SI_doc-3NW9OCSS_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">9</format><format format_type="type">article</format><format format_type="extent">str. 253-269</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">37326125</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-3NW9OCSS</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>InC</rights><subject language_type_id="slv">akustični spomin</subject><subject language_type_id="slv">bogoslužje</subject><subject language_type_id="slv">glasbena teologija</subject><subject language_type_id="slv">gregorijanski koral</subject><subject language_type_id="eng">liturgy</subject><subject language_type_id="eng">semiotics</subject><subject language_type_id="slv">semiotika</subject><title>listening and recognition in Gregorian chant</title><title>Pavlov's dog and the liturgy</title></Record>