<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-3I54IX2W</identifier><date>2017</date><creator>Brezavšček, Pia</creator><relation>documents/doc/3/URN_NBN_SI_doc-3I54IX2W_001.pdf</relation><relation>documents/doc/3/URN_NBN_SI_doc-3I54IX2W_001.txt</relation><format format_type="volume">33</format><format format_type="issue">84</format><format format_type="type">article</format><format format_type="extent">str. 67-82</format><identifier identifier_type="ISSN">0352-3608</identifier><identifier identifier_type="COBISSID">34936669</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-3I54IX2W</identifier><language>slv</language><publisher>Fakulteta za družbene vede</publisher><publisher>Slovensko sociološko društvo</publisher><source>Družboslovne razprave</source><rights>InC</rights><subject language_type_id="eng">Feminism</subject><subject language_type_id="slv">Feminizem</subject><subject language_type_id="eng">Film theory</subject><subject language_type_id="slv">filmska teorija</subject><subject language_type_id="slv">Pornografija</subject><subject language_type_id="eng">Pornography</subject><subject language_type_id="slv">Teorija filma</subject><title>feministična rehabilitacija pornografije na primeru Umazanih dnevnikov (Dirty diaries 2009)</title><title>Nova podoba gledanja</title></Record>