{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-38815348/ac1564dc-854f-44eb-aead-937a03c4c820/PDF","dcterms:extent":"357 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-38815348/2ef58b2e-59ed-41c1-a2f2-0ba1a3852dc2/TEXT","dcterms:extent":"0 KB"}],"edm:TimeSpan":{"@rdf:about":"1948-2025","edm:begin":{"@xml:lang":"en","#text":"1948"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-38815348","edm:isNextInSequence":{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:doc-RNVCO8UO"},"dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-QOIKGUTE"},{"@xml:lang":"sl","#text":"Slavistična revija"}],"dcterms:issued":"2025","dc:creator":"Pavera, Libor","dc:format":[{"@xml:lang":"sl","#text":"številka:4"},{"@xml:lang":"sl","#text":"letnik:73"},{"@xml:lang":"sl","#text":"str. 599–612"}],"dc:identifier":["ISSN:0350-6894","DOI:10.57589/srl.v73i4.4261","COBISSID_HOST:264783875","URN:URN:NBN:SI:doc-38815348"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"Slavistično društvo Slovenije"},"dc:subject":[{"@xml:lang":"sl","#text":"edicijska praksa"},{"@xml:lang":"en","#text":"editorial practice"},{"@xml:lang":"en","#text":"forensic analysis"},{"@xml:lang":"sl","#text":"forenzična analiza"},{"@xml:lang":"sl","#text":"Kopecký, Milan"},{"@xml:lang":"en","#text":"medieval lyric"},{"@xml:lang":"en","#text":"multispectral imaging"},{"@xml:lang":"sl","#text":"multispektralno slikanje"},{"@xml:lang":"en","#text":"renaissance lyric"},{"@xml:lang":"sl","#text":"renesančna lirika"},{"@xml:lang":"sl","#text":"srednjeveška lirika"}],"dcterms:temporal":{"@rdf:resource":"1948-2025"},"dc:title":{"@xml:lang":"sl","#text":"Od transkripcije do spektralne analize – nove poti k objavljanju in interpretaciji liričnih besedil srednjega veka in renesanse| (ob obletnici rojstva Milana Kopeckega)| From transcription to spectral analysis: new pathways for editing and interpreting medieval and renaissance lyric texts| (in margine to the anniversary of Milan Kopecký)|"},"dc:description":[{"@xml:lang":"sl","#text":"This study explores the evolving approaches to the editing and interpretation of Medieval and Renaissance lyric texts, with particular attention to the methodology of Czech literary historian Milan Kopecký (1925–2006). The author traces Kopecký’s intellectual influences— his teachers Jan Vilikovský (often referred to as the “Czech E. R. Curtius”), the hymnologist Antonín Škarka, and the Slavist Frank Wollman—and shows how Kopecký’s work gradually shifted from traditional transcription practices toward an understanding of lyric poetry as a culturally and ritually embedded expression. A key example is the so-called Brno fragment of a secular Renaissance lyric, which opens up questions surrounding the interpretation of fragmentarily preserved texts and the potential of contemporary technologies: multispectral imaging, forensic analysis (UV, IR, X-ray), and database-driven research as new tools in modern editorial practice"},{"@xml:lang":"sl","#text":"Študija obravnava spremembe pri objavljanju in razumevanju liričnih besedil srednjega veka in renesanse, in sicer s poudarkom na metodologiji češkega literarnega zgodovinarja Milana Kopeckega (1925–2006). Avtor sledi vplivom njegovih učiteljev – Jana Vilikovskega (pogosto imenovanega »češki E. R. Curtius«), himnologa Antonína Škarke in slavista Franka Wollmana – in pokaže, kako se je delo Kopeckega premikalo od tradicionalne transkripcije k dojemanju lirike kot kulturno in ritualno zasidranega izraza. Ključni primer predstavlja t. i. brnski fragment posvetne renesančne lirike, vprašanje interpretacije fragmentarno ohranjenih besedil in možnosti sodobnih tehnik: multispektralno slikanje, forenzične analize (UV, IR, RTG) ter delo z zbirkami podatkov kot novi instrumenti sodobne izdajateljske prakse"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-38815348","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-38815348"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-38815348/ac1564dc-854f-44eb-aead-937a03c4c820/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slavistično društvo Slovenije"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-38815348/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-38815348"}}}}