<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-37Y33TFH</identifier><date>2021</date><creator>Zajc, Melita</creator><relation>documents/doc/3/URN_NBN_SI_doc-37Y33TFH_001.pdf</relation><relation>documents/doc/3/URN_NBN_SI_doc-37Y33TFH_001.txt</relation><format format_type="issue">1</format><format format_type="volume">23</format><format format_type="type">article</format><format format_type="extent">str. 136-155</format><identifier identifier_type="COBISSID">103817731</identifier><identifier identifier_type="ISSN">1580-688X</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-37Y33TFH</identifier><language>eng</language><publisher publisher_location="Ljubljana">Alma Mater Europaea-Institutum Studiorum Humanitatis, Fakulteta za podiplomski humanistični študij</publisher><source>Monitor ISH</source><rights>InC</rights><subject language_type_id="slv">digitalizacija</subject><subject language_type_id="slv">film</subject><subject language_type_id="slv">Filmi</subject><subject language_type_id="slv">filmska industrija</subject><subject language_type_id="slv">filmsko občinstvo</subject><subject language_type_id="slv">Razširjanje kulture</subject><subject language_type_id="slv">spletna kinematografija</subject><title>cinematographic dispositive transformed</title><title>cultural implications of the online distribution of films</title><title>Film after the cinema</title></Record>