<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-2T2X1RLB/579103df-994a-4f75-b5a0-402ff18416a5/PDF"><dcterms:extent>426 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-2T2X1RLB/a542bbc7-34b6-4a79-96d7-b5808aa1bc57/TEXT"><dcterms:extent>39 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="2007-2025"><edm:begin xml:lang="en">2007</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-2T2X1RLB"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-REUWXDY1" /><dcterms:issued>2023</dcterms:issued><dc:creator>Aslani, Stella</dc:creator><dc:format xml:lang="sl">letnik:17</dc:format><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">str. 241-255</dc:format><dc:identifier>DOI:10.4312/ars.17.2.241-255</dc:identifier><dc:identifier>ISSN:1854-9632</dc:identifier><dc:identifier>COBISSID_HOST:187465475</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-2T2X1RLB</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="sl">Založba Univerze v Ljubljani</dc:publisher><dcterms:isPartOf xml:lang="sl">Ars et humanitas</dcterms:isPartOf><dc:subject xml:lang="sl">Estetika</dc:subject><dc:subject xml:lang="sl">Filozofija</dc:subject><dc:subject xml:lang="sl">Karizma</dc:subject><dcterms:temporal rdf:resource="2007-2025" /><dc:title xml:lang="sl">Everyday aesthetics and the dichotomy between routine and charisma|</dc:title><dc:description xml:lang="sl">Everyday aesthetics, at its core, is based on the supposed dichotomy between art and life, considering life as something routine-like, and art as the breaking of the routine, something charismatic. Different authors of everyday aesthetics use different words to describe this dichotomy. For example, in his article “What is ‘Everyday’ in Every-day Aesthetics?”, Ossi Naukkarinen simply uses everydayness and non-everyday-like, while Arto Haapala, in his “On the Aesthetics of the Everyday: Familiarity, Strange-ness, and the Meaning of Place” uses the terms familiarity and strangeness. The au-thors also propose different ways of bridging this dichotomy. However, as the paper shows, the real question is not how to bridge the dichotomy itself but rather whether the dichotomy exists in the first place. Moreover, the paper suggests a change of direc-tion in future investigations of everyday aesthetics, and focusing on the nuances that exist on the routine-charisma and charismatic-routine spectrum, supported by aca-demic research and the personal account of the paper’s author art project. Moreover, the implications of this shift extend beyond the boundaries of everyday aesthetics</dc:description><dc:description xml:lang="sl">Estetika vsakdanjega življenja v svojem bistvu temelji na domnevni dihotomiji med umetnostjo in življenjem, pri čemer življenje obravnava kot nekaj rutinskega, umetnost pa kot izstop iz rutine, kot nekaj karizmatičnega. Različni avtorji estetike vsakdanjega življenja uporabljajo različne besede za opis te dihotomij. Ossi Naukka-rinen na primer v članku »Kaj je ‘vsakdanje’ v estetiki vsakdanjosti« uporablja pre-prosto besedi vsakdanjost in nevsakdanjost, Arto Haapala pa v članku »O estetiki vs-akdanjosti: domačnost, tujost in pomen kraja« uporablja izraza domačnost in tujost. Ars &amp; Humanitas_2023_2_FINAL.indd 254Ars &amp; Humanitas_2023_2_FINAL.indd 2546. 02. 2024 13:36:226. 02. 2024 13:36:22 Stella aSlani / everyday aeStheticSandthe dichotomy Between routineand chariSma255Avtorja predlagata tudi različne načine za premostitev te dihotomije. Vendar pa, kot je razvidno iz članka, pravo vprašanje ni, kako premostiti dihotomijo, temveč ali dihoto-mija sploh obstaja. Poleg tega članek predlaga spremembo smeri prihodnjih raziskav estetike vsakdanjega življenja in osredotočenje na odtenke, ki obstajajo na spektru rutina–karizma in karizma–rutina, kar je podprto z akademskimi raziskavami in os-ebnim pričevanjem avtorice članka o umetniškem projektu. Poleg tega posledice tega premika presegajo meje estetike vsakdanjega življenja</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-2T2X1RLB"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-2T2X1RLB" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-2T2X1RLB/579103df-994a-4f75-b5a0-402ff18416a5/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Univerza v Ljubljani, Filozofska fakulteta</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-2T2X1RLB/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-2T2X1RLB" /></ore:Aggregation></rdf:RDF>