71 KB145 KB61 KB200120252006Vrdlovec, Zdenkoštevilka:2letnik:8str. 23-47COBISSID:1275789ISSN:1580-688XURN:URN:NBN:SI:doc-2SX1NA4RslInstitutum Studiorum Humanitatis - Fakulteta za podiplomski humanistični študijMonitor ISHartBizancfotografijaikoneikonoklazeminkarnacijaphotographyumetnostOd ikone do fotografije|The Byzantine cult of the holy images, icons, was based on the dogma of the Incarnation, according to which the Son of God, Jesus, was a visible image of the invisible God the Father. Equally influential, however, were the legends about images acheiropoietoi (not made by human hand), most notably the vera icona and the Turin Shroud. The latter was photographed in 1898, its authenticity confirmed by scientific analyses of the negatives. Thus the photograph itself became a new kind of "true image", vera icona, although one rejected by the ChurchBizantinski kult svetih podob, ikon, je temeljil na dogmi o božjem učlovečenju, inkarnaciji, po kateri je božji Sin, Jezus, vidna podoba nevidnega Boga Očeta. Nič manjše utemeljitvene moči pa niso imele legende o aheiropoietični podobi, tj. tisti, ki je ni naredila človeška roka - med njimi sta bili najbolj znani vera icona in t. i. torinski mrtvaški prt. Tega so leta 1898 fotografirali, v znanstveni analizi pa je fotografija prta sama postala nova vrsta "resnične podobe", vera icona, ki pa jo je cerkev zavračalaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaInstitutum Studiorum Humanitatis - Fakulteta za podiplomski humanistični študij