388 KB39 KB194820252017Pezdirc-Bartol, Matejaštevilka:2letnik:65str. 354-365ISSN:0350-6894COBISSID:64377186URN:URN:NBN:SI:doc-271PJUGEslSlavistično društvo SlovenijeSlavistična revija"Eda""Pavla nad prepadom""Razodetja""Tisoč devetsto enainosemdeset"Bric, Neda R.contemporary Slovene dramačasJovanović, Dušan, 1939-media technologymedijska tehnologijapost-dramatic theatrepostdramsko gledališčeprostorSemenič, Simona, 1975-Skubic, Andrej E., 1967-Slovene dramaSlovene literatureslovenska dramatikaslovenska književnostspacetimeVpliv medijev na oblikovanje prostora in časa v sodobni slovenski dramatiki in gledališču|This article proceeds from Patrice Pavis's idea that dramatic texts are always only the trace of a performance practice, and that they must be read in such a way that one imagines how the limitations of the play and performance shaped their creation. In the history of theatre, the rule of unity of place, time, and action held an important place and took into account both the recipients' capacity and technological capacities, which were not capable of rapid scene changes and leaps in time. Today one is witness to the most varied input (from fictitious stories to documentary material), mediated with the aid of various media technology, into live theatre performance, which has greatly expanded the understanding of space and time, and has also had a reciprocal impact on writing dramatic texts. These processes are presented using selected examples from contemporary Slovenian drama and theatre: Dušan Jovanović's Razodetja (Revelations), Simona Semenič's tisočdevetstoenainosemdeset (nineteeneightyone), Andrej E. Skubic's Pavla nad prepadom (Paula Above the Precipice), and Neda R. Bric's Eda: Zgodba bratov Rusjan (Eda: The Rusjan Brothers Story)Prispevek izhaja iz misli Patricea Pavisa, da so dramska besedila vedno samo sled določene uprizoritvene prakse, prav zato jih je potrebno brati tako, da si predstavljamo, kako so jih med nastajanjem oblikovale omejitve igre in uprizoritve. V zgodovini drame je imelo pomembno mesto pravilo o enotnosti kraja, časa in dejanja, ki je upoštevalo tako sprejemnikove zmožnosti kot nemožnost hitrih menjav prizorišč in časovnih preskokov. Danes medijska tehnologija omogoča vnosom mediatiziranega, posredovanega v živo uprizoritev gledališča, kar je močno razširilo razumevanje prostora in časa ter vplivalo tudi na pisanje dramskih besedil. Navedene procese bomo prikazali na primerih iz sodobne slovenske dramatike in gledališča (Dušan Jovanović: Razodetja, Simona Semenič: tisočdevetstoenainosemdeset, Neda R. Bric: Eda: Zgodba bratov Rusjan, Andrej E. Skubic: Pavla nad prepadom)TEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlavistično društvo Slovenije