<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-2337RSV8/429facf6-dac8-4bf6-a649-28a3d96b07ea/PDF"><dcterms:extent>4929 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-2337RSV8/d1bbcad2-56f1-4923-bdac-9a6bb159dbd2/TEXT"><dcterms:extent>0 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="2013-2025"><edm:begin xml:lang="en">2013</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-2337RSV8"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-JHWITOAB" /><dcterms:issued>2023</dcterms:issued><dc:creator>Botica, Dubravka</dc:creator><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">letnik:28</dc:format><dc:format xml:lang="sl">str. 101-121</dc:format><dc:identifier>DOI:10.3986/ahas.28.2.05</dc:identifier><dc:identifier>ISSN:1408-0419</dc:identifier><dc:identifier>COBISSID_HOST:179156739</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-2337RSV8</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="sl">Založba ZRC</dc:publisher><dcterms:isPartOf xml:lang="sl">Acta historiae artis Slovenica</dcterms:isPartOf><dc:subject xml:lang="en">architectural heritage</dc:subject><dc:subject xml:lang="sl">arhitekturna dediščina</dc:subject><dc:subject xml:lang="en">art collections</dc:subject><dc:subject xml:lang="sl">Bajnski dvori</dc:subject><dc:subject xml:lang="sl">baročni gradovi</dc:subject><dc:subject xml:lang="en">Baroque castles</dc:subject><dc:subject xml:lang="sl">Erdödy (plemiška rodbina)</dc:subject><dc:subject xml:lang="en">furnishing</dc:subject><dc:subject xml:lang="sl">krajinska arhitektura</dc:subject><dc:subject xml:lang="en">landscape architecture</dc:subject><dc:subject xml:lang="sl">notranja oprema</dc:subject><dc:subject xml:lang="sl">Oroslavlje</dc:subject><dc:subject xml:lang="sl">prenova</dc:subject><dc:subject xml:lang="en">renovation</dc:subject><dc:subject xml:lang="sl">umetnostne zbirke</dc:subject><dc:subject xml:lang="sl">Vranyczány (plemiška rodbina)</dc:subject><dcterms:temporal rdf:resource="2013-2025" /><dc:title xml:lang="sl">The new life of Baroque castles in North-Western Croatia| the renovation of the Erdödy and Vranyczány families’ castles at the end of the 19th and beginning of the 20th centuries|</dc:title><dc:description xml:lang="sl">The article examines the furnishing of country residences, the collecting practises and art patronage of members of two families of the old and new nobility, the Erdödy and the Vranyczány-Dobrinović, who played an important role in Croatian society and politics. The Erdödy furnished their castles in Jastrebarsko, Novi Marof and Bajnski dvori with Historicist furniture and decorated them with their collections, which consisted mainly of works of art by Old Masters.  The  Vranyczány  followed  the  trend  of  Historicist  interior  decoration  and  expressed  their  personal  taste  more strongly, which was reflected in their estates of Mirkovec and Gornje Oroslavje, which became the centre of social gatherings of the modern Croatian art scene</dc:description><dc:description xml:lang="sl">V  članku  so  predstavljeni  oprema  podeželskih  rezidenc,  zbirateljstvo  in  umetnostno  naročništvo  članov  rodbin  Erdödy  in  Vranyczány-Dobrinović,  predstavnikov  starega  in  novega  plemstva,  ki  so  imeli  pomembno  vlogo  v  družbenem  in  političnem  življenju  Hrvaške.  Člani  rodbine  Erdödy  so  svoje  gradove  Jastrebarsko,  Novi  Marof  in  Bajnski  dvori  prenovili  skladno  z  novimi  trendi  in  jih  opremili  s  historicističnim  pohištvom  in  likovnimi  deli  večinoma  starih  mojstrov.  Člani  rodbine  Vranyczány  pa  so  sledili  modi  historicistične  notranje  opreme  z  močno  izraženim osebnim okusom, vidnim predvsem na posestih Markovec in Gornje Oroslavje, ki sta postali srečevališče tedanje hrvaške umetniške srenje</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-2337RSV8"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-2337RSV8" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-2337RSV8/429facf6-dac8-4bf6-a649-28a3d96b07ea/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">ZRC SAZU, Umetnostnozgodovinski inštitut Franceta Steleta</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-2337RSV8/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-2337RSV8" /></ore:Aggregation></rdf:RDF>