45 KB3837 KB44 KB194820251997Vrečko, Janezštevilka:1/2letnik:45str. 225-238ISSN:0350-6894COBISSID:4192354URN:URN:NBN:SI:doc-1CRKZYZGslSlavistično društvo SlovenijeSlavistična revijaAristoteles, 384-322 pr. n. št.estetski doživljajfilozofijaknjiževnostliterarna estetikaliterarna teorijaliterary theoryliteraturemimesisphilosophyAristotel, mimesis in estetski doživljaj|The paper deals with the issues of mimesis and aesthetic experience. It turns out that the aicent conflict between philosophy and poetry mentioned by Plato is, in fact, fictitious, since from Aristotle's point of view the highest philosophical cognition equals the most profound pleasure at the production in poety. Hence, poetry is equated to philosophy and it becomes a manifestation of he universal, represented according to the laws of the probalble and the possible. These are the two elements that aesthetic experience relies on; the experience which is only common on man, is overwhelming and man is reluctant to rid himself of that, it depends on the higer senses and gives pleasure in itselfV razpravi se ukvarjamo s problemoma mimesis in estetskega doživljanja. Pokaže se, da je prastari spor med filozofijo in poezijo, ki ga navaja Platon, izmišljen, saj je z Aristotelovega stališča najvišje filozofsko spoznanje izenačeno v poeziji z najglobljim užitkom ob izvedbi. Poezija se tako izenači s filozofijo in postane utelešenje splošnega, prikazanega po zakonih verjetnega in možnega. Na ta dva elementa se nasloni estetski doživljaj, ki je lasten samo človeku, je čezmeren in se ga neradi otresemo, je vezan na višja čutila in zbuja veselje samo po sebiTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of Slovenia